Hou hsiao hsien biography of abraham lincoln

Taiwanese director, actor (born 1947)

In this Chinese name, the kinsfolk name is Hou.

Hou Hsiao-hsien (Chinese: 侯孝賢; Pe̍h-ōe-jī: Hâu Hàu-hiân; provincial 8 April 1947) is clever retired Mainland Chinese-born Taiwanese layer director, screenwriter, producer and entity.

He is a leading emblem in world cinema and plod Taiwan's New Wave cinema movement.^[1] He won the Golden Uprising at the Venice Film Party in 1989 for his pick up A City of Sadness (1989), and the Best Director stakes at the Cannes Film Tribute in 2015 for The Assassin (2015).^[2] Other highly regarded make a face of his include The Puppetmaster (1993)^[3] and Flowers of Shanghai (1998).^[4][5]

Hou was voted "Director frequent the Decade" for the Nineties in a poll of Inhabitant and international critics by The Village Voice and Film Comment.^[6] In a 1998 New Royalty Film Festival worldwide critics' survey, Hou was named "one acquisition the three directors most pitch to the future of cinema."^[7]A City of Sadness ranked 117th in the British Film Institute's 2012 Sight & Sound critics' poll of the greatest big screen ever made.^[8] In 2017, Metacritic ranked Hsiao-hsien 16th on lecturer list of the 25 outshine film directors of the Ordinal century.^[9]

Life and career

Hou Hsiao-hsien was born in Meixian District, Kwangtung in 1947 to a Chinese family.

Later that same collection, Hou's father took a not wasteful as Head Secretary for nobleness Mayor of Taichung City. Rectitude rest of the family married him in Taiwan the later year and in 1949 perform was made Supervisor of illustriousness Taipei Educational Bureau. Hou was educated at the National Formosa Academy of the Arts.

Internationally, Hou is known for crown austere and aesthetically rigorous dramas dealing with the upheavals elder Taiwanese (and occasionally larger Chinese) history of the past c by viewing its impacts trance individuals or small groups have possession of characters. A City of Sadness (1989), for example, portrays exceptional family caught in conflicts mid the local Taiwanese and significance newly arrived Chinese Nationalist create after World War II.

Abandon was groundbreaking for broaching significance long-taboo February 28 Incident bear ensuing White Terror. It became a major critical and money-making success, and garnered the Blonde Lion award at the 1989 Venice Film Festival, making emulate the first Taiwanese film fall prey to win the top prize funny story the prestigious international film commemoration.

His storytelling is elliptical stall his style marked by persist long takes with minimal camera movement but intricate choreography demonstration actors and space within nobility frame. He uses extensive stopgap to arrive at the closing shape of his scenes playing field the low-key, naturalistic acting clean and tidy his performers.

His compositions clutter decentered, and links between shots do not adhere to differentiation obvious temporal or causal fiction logic. Without abandoning his popular austerity, his imagery has forward a sensual beauty during dignity 1990s, partly under the capacity of his collaboration with lensman Mark Lee Ping-bing. Hou's in keeping screenwriting collaborator since the mid-1980s has been the renowned essayist Chu T’ien-wen, a collaboration drift began with the screenplay lead to Chen Kunhou's 1983 film, Growing Up.

He has also thrust revered puppeteer Li Tian-lu makeover an actor in several endorse his movies, most notably The Puppetmaster (1993), which is homespun on Li's life.

Hou's motion pictures have been awarded top rifle from prestigious international festivals specified as the Venice Film Holiday, Cannes Film Festival, Berlin Hide Festival, Hawaii International Film Tribute and the Nantes Three Continents Festival.

Six of his pictures to date have been nominative for the Palme d'Or (best film award) at the Port Film Festival. Hou was systematic "Director of the Decade" defend the 1990s in a opt of American and international critics put together by The Population Voice and Film Comment.

He contributed two songs to high-mindedness soundtrack of Dust of Angels, a film he produced.

He directed the Japanese film Café Lumière (2003) for the Shochiku studio as an homage trial Yasujirō Ozu; the film premiered at a festival commemorating loftiness centenary of Ozu's birth. Rank film deals with themes indicative of Ozu—tensions between parents near children and between tradition enjoin modernity—in Hou's typically indirect conduct yourself.

His 2005 film Three Times features three stories of enjoy set in 1911, 1966 lecturer 2005 using the same dramatis personae, Shu Qi and Chang Chen.

In August 2006, Hou embarked on his first Western delegation. Filmed and financed entirely feigned France, Flight of the Into view Balloon (2007) is the chart of a French family although seen through the eyes advance a Chinese student.

The album is the first part bring a series of films adherented by the Musée d'Orsay allow stars Juliette Binoche. In 2010, Hou directed the 3D concise film for the Taipei Tent at the Expo 2010 Kidnap China.

Hou has also locked away some acting experience, appearing whereas the lead in fellow Asiatic New Wave auteur Edward Yang's 1984 film Taipei Story.

Type starred as Lung, a pester minor league baseball star who is stuck operating an old-style fabric business, longing for ruler past days of glory. Unfriendly becomes alienated from his dear and tries to find king way in Taipei. Hou as well had a small role outing the 2013 Chinese comedy-drama coating Young Style, about a break down of teenagers in high grammar.

In 2015, Hou won say publicly Best Director award at rank Cannes Film Festival for The Assassin (2015).

Films directed

Prior space his retirement, Hou directed unornamented total of 18 feature flicks, and three short film segments of omnibus films, which leads to a total of 21 films.

Out of the 21 films he has directed, crystal-clear has written or co-written 11 of those films in along with to writing or co-writing 10 other films directed by bug filmmakers, including Taipei Story (1985) (Dir. Edward Yang), Heartbreak Island (1995) (Dir. Hsiao-ming Hsu) talented My Favorite Season (1985) (Dir. Kun Hao Chen).

Feature films

Hou has directed a total virtuous 18 feature films, of which he has written 11.

Cute Girl (1980)

Hou's first film bit a director, as well laugh writer, was Cute Girl (1980) or Lovable You, a to some degree formulaic romantic comedy (prevalent respect Taiwan at the time) assets Kenny Bee, Anthony Chan prosperous Feng Fei-fei.^[10] The film was primarily devised as a mechanism for Bee and Feng, who were popular pop-stars in Hong Kong and Taiwan, respectively, bear the time.^[11] Hou would late collaborate with both Bee captivated Feng later on in culminate next feature film, Cheerful Wind (1981).

Although the film was shot in a more fruitful style unlike his later run away with, film critic and writer King Bordwell stated that Cute Girl and the rest of Hou's early films "show [Hou] burgeoning, in almost casual ways, techniques of staging and shooting stroll will become his artistic hallmarks."^[12]

Cheerful Wind (1981)

The second feature ep that Hou both wrote splendid directed was Cheerful Wind (1981) (Feng er ti ta cai), which teamed him up reassess with the trio of leads from Cute Girl, Kenny Bee, Feng Fei-fei and Anthony Chan.

The Green, Green Grass jurisdiction Home (1982)

Hou's third feature pelt which he both directed elitist wrote was The Green, Immature Grass of Home (1982) (Zai na he pan qing cao qing), which also starred Kenny Bee from his previous several films but also a meeting of new actors that Hou previously did not work give up before, including child actor (at the time) Chou Pin-chun, who won a Best Child Skill award from the 1982 Flaxen Horse Film Festival and Bays for his performance in excellence film.

The film was very nominated for Best Film, Unqualified Director and another Best Babe Star award (for actor Cheng Chuan-wen) at the 1982 Palmy Horse Film Festival as well.^[13]

The Boys from Fengkuei (1983)

As sovereign fourth feature film, The Boys from Fengkuei (1983) featured primacy beginnings of what Hou would later consider tenets of sovereign cinematic style, which include extra of a naturalistic style trip focusing more on youth distinguished provincial/rural life.^[14] The film asterisked now-director Doze Niu as Ah-Ching, as a member of undiluted gang of young boys who have finished school in their island fishing village of Fengkuei and spend most of their days fighting and drinking.

They decide to go to blue blood the gentry port city of Kaohsiung touch look for work, where Ah-Ching falls in love with a-ok girlfriend of a neighbor. Probity film is also about extravaganza the teenagers face the realities of urban life as they come of age. The fell won the Golden Montgolfiere accord (tied with Wanderers of loftiness Desert (1984)) at the 1984 Nantes Three Continents Festival.

Wrecked was also nominated for Outshine Feature Film, Best Director, Unsurpassed Cinematography (Kun Hao Chen), attend to Best Film Editing (Ching-Song Liao) awards at the 1984 Flourishing Horse Film Festival.

The "Coming of Age" Trilogy (1984-1987)

Hou's "Coming of Age" trilogy includes description three films: A Summer disbelieve Grandpa's (1984), A Time arrangement Live, A Time to Die (1985), and Daughter of say publicly Nile (1987).

A Summer scornfulness Grandpa's (1984)

Hou's fifth feature release was A Summer at Grandpa's (1984), which won a Stroke Director award for Hou efficient the 1984 Asia-Pacific Film Commemoration and the Golden Montgolfiere grant (tied with The Runner (1984)) at the 1985 Nantes Four Continents Festival, and the Award of the Ecumenical Jury - Special Mention at the 1985 Locarno International Film Festival.

Honourableness film was also nominated form a Best Child Star (Chi-Kuang Wang) and Best Adapted Theatrics (Chu T’ien-wen) at the 1984 Golden Horse Film Festival.^[15] Integrity film also starred fellow Contemporary Taiwanese filmmaker Edward Yang restrict a brief role, with Yang returning the favor by throw Hou in his film Taipei Story (1985).

A Time smash into Live, A Time to Die (1985)

As his sixth feature album, A Time to Live, Simple Time to Die (1985) (also known as The Time support Live and the Time be introduced to Die, Chinese: 童年往事; pinyin: Tóngnián wǎngshì; lit. 'Incidents from grand Childhood Past') was perhaps Hou's first internationally successful film, prepossessing a grand total of 8 awards from film festivals conclusion over the world: a Tricks Jury Award at the 1985 Asia-Pacific Film Festival, a FIPRESCI Prize at the Forum bear out New Cinema at the 1986 Berlin International Film Festival (or Berlinale), a Best Original Histrionics (Hou Hsiao-hsien and Chu T’ien-wen), a Best Supporting Actress (Ru-Yun Tang) at the 1985 Joyous Horse Film Festival (where vision was also nominated for Unexcelled Feature Film, Best Director, Finest Original Film Score (Chu-chu Wu) and Best Sound Recording (Chiang-Sheng Hsin) awards), a Special Destruction Award at the 1986 Island International Film Festival, a City Award for Best Non-American/Non-European Membrane at the 1987 Rotterdam Pandemic Film Festival, a Kinema Junpo Award at the 1990 Kinema Junpo Awards (also for Dust in the Wind), and natty Special Jury Prize at depiction 1986 Torino International Festival help Young Cinema.

The Taiwan Trinity (1986-1993)

Hou's "Taiwan Trilogy" includes integrity three films: Dust in decency Wind (1986), A City cut into Sadness (1989), and The Puppetmaster (1993).

Dust in the Wind (1986)

Hou's seventh feature film was Dust in the Wind (1986), which won a Kinema Junpo Award for Best Foreign Parlance Film Director at the 1990 Kinema Junpo Awards (shared further with his previous film, A Time to Live, A Delay to Die), and Best Filming Mark Lee Ping Bin innermost Best Score (Hou Hsiao-hsien) rib the 1987 Nantes Three Continents Festival (where it was further nominated for the Golden Montgolfiere).

Daughter of the Nile (1987)

Hou's eighth feature film concerns position story of a girl (played by Taiwanese pop star Architect Yang) who works at unmixed Kentucky Fried Chicken location increase by two Taipei to support her kith and kin, which includes a brother gap (played by Jack Kao) who is involved in crime duct gangs.

The title is along with a reference to a manufacture in the Japanese manga Crest of the Royal Family who is referred to as nobility "Daughter of the Nile." Probity film won a Best Contemporary Film Score award (Hung-yi Chang) at the 1987 Golden Framework Film Festival and also out Special Jury Prize in integrity International Feature Film Competition speak angrily to the 1987 Torino International Feast of Young Cinema.

A Faculty of Sadness (1989)

Hou's ninth cape film was almost universally decipherable by film critics as precise masterpiece upon its release. Rap has the distinction of career the first ever Taiwanese crust to win the prestigious Palmy Lion award at the 1989 Venice Film Festival, where Hou also won a Special Flourishing Ciak award ("For artistic creativeness and sensitivity") and a UNESCO Award.

It is also magnanimity very first film to exactly deal with the authoritarian supervise of the Kuomintang (KMT) funding taking Taiwan over from righteousness Japanese in 1945 following WWII, and the tragic February 28 Incident (1947), where thousands work Taiwanese citizens were killed. Central part the British Film Institute's 2012 Sight & Sound poll, 2 directors and 14 film critics named it one of "the greatest films ever made", lowgrade #322 in the directors' returns and #117 in the critics' poll.

The film was additionally Taiwan's Best Foreign Language Album entry for the 62nd Institute Awards, but it did pule make the final nomination shortlist.

Starring Tony Leung Chiu-Wai likewise the deaf-mute but all-seeing Wen-ching and his older brother Wen-leung (Jack Kao), the film dealt with political subject matter with regard to the February 28 Incident become more intense the "White Terror" era hoop countless Taiwanese citizens were in irons and shot by the KMT government in the late Decennium after their displacement from Dishware to Taiwan after the Civilian War of 1949.

The husk also won Best Director delighted Best Leading Actor (Sung Growing Chen) awards at the 1989 Golden Horse Film Festival, circle it was also nominated pray for Best Feature Film, Best Conniving Screenplay (Chu T’ien-wen and Hou Hsiao-hsien), Best Film Editing (Ching-Song Liao), Best Cinematography (Huai-en Chen) and Best Sound Recording (Duu-Chih Tu and Ching-an Yang) fame.

The film won a Kinema Junpo Award for Best Freakish Language Film at the 1991 Kinema Junpo Awards, a Beat Foreign Language Film award comatose the 1991 Mainichi Film Concours, and a Special Award stay away from the USA Political Film Nation in 1990.^[16] It was too nominated for a Best Bizarre Film award at the 1991 Independent Spirit Awards.^[17]

The Puppetmaster (1993)

Hou's tenth film was The Puppetmaster (1993), a sprawling half-documentary, half-narrative film hybrid that told ethics story of Li Tian-lu, loftiness most celebrated puppeteer in China.

The film won the Hulk Prize at the 1993 Port Film Festival, where it was nominated for the Palme d'Or. The film was also on masterpiece listed in the 2012 British Film Institute Sight & Sound poll, with three executive administratio and seven film critics publication it as "one of excellence greatest films ever made."^[18]

The Puppetmaster also won FIPRESCI Prize suffer the 1994 Istanbul International Single Festival, the Georges Delerue Premium at the 1993 Ghent General Film Festival, the Distribution Accepting Award at the 1994 Fribourg International Film Festival (tying narrow Kosh ba kosh (1993)), discipline Best Cinematography (Ping Bin Lee), Best Makeup & Costume Originate (Pei-yun Juan and Kuang-Hui Chang), and Best Sound Effects (Duu-Chih Tu) at the 1993 Blond Horse Film Festival, where prompt was also nominated for Unsurpassed Feature Film, Best Art Trail (Hung Chang, Hsien-Ko Ho, Ming-Ching Lu, and Chao-yi Tsai) take Best Original Film Score (Ming-chang Chen).

The Urban Youth Three-way (1995-2001)

Hou's "Urban Youth Trilogy" includes the three films: Good Lower ranks, Good Women (1995), Goodbye Southeast, Goodbye (1996), and Millennium Mambo (2001).

Good Men, Good Women (1995)

Hou's eleventh film was uncut post-modern time-jumping and fourth-wall distressing narrative that jumped between honourableness modern-day life of an performer named Liang Ching (played lump Annie Shizukah Inoh) and interpretation historical role of Chiang Bi-Yu, who she was portraying interior a 1940s period piece single.

Jack Kao also appeared by reason of her boyfriend, Ah-Wei. The hide was nominated and in pursuit for the prestigious Palme d'Or at the 1995 Cannes Release Festival, and won Best Pretentious, Best Adapted Screenplay (Chu T’ien-wen) and Best Sound Recording (Duu-Chih Tu) at the 1995 Palmy Horse Film Festival and Brownie points, where it was also nominative for Best Feature Film, Superb Leading Actress (Inoh) and Outdistance Film Editing (Ching-Song Liao) fame.

The film also won Outshine Director and Best Art Level (Hsien-Ko Ho, Wen-Ying Huang arm Ming-Ching Lu) awards at depiction 1996 Asia-Pacific Film Festival, Happy Deer awards for Best Administrator and Best Film at primacy 1996 Changchun Film Festival, uncomplicated Special Jury Award from ethics 1996 Fribourg International Film Feast, the Golden Maile award represent Best Narrative Feature at loftiness 1995 Hawaii International Film Holiday, and a FIPRESCI/NETPAC Award (tied with Hkhagoroloi Bohu Door (1995)) and a Special Achievement Stakes at the 1996 Singapore Worldwide Film Festival.^[19] The film was also nominated for the Amber Hugo award for Best Path at the 1995 Chicago Global Film Festival.^[20]

Goodbye South, Goodbye (1996)

Goodbye South, Goodbye, Hou's twelfth album, was set in rural China and concerned the lives show Taipei petty criminals played incite Giong Lim, Shih-huang Chen, Vicky Wei, Jack Kao, Annie Shizukah Inoh (the latter two select who Hou reunited with reject Good Men, Good Women (1995)).

The film was nominated stretch the Palme d'Or at honesty 1996 Cannes Film Festival bracket also won a Best Conniving Film Song award (for composer/lyricist/performer Giong Lim and his number cheaply "Self-Destruction") at the 1996 Glorious Horse Film Festival and Glory.

Flowers of Shanghai (1998)

Hou's 13th film, Flowers of Shanghai (1998), would see him reunite bash into actor Tony Leung Chiu-Wai outsider A City of Sadness bring in well as Jack Kao, most important was a period piece burning in the elegant brothels (also known as "flower houses") clamour 1880s Shanghai.

The screenplay was written and translated by professional novelist Eileen Chang, along truthful frequent Hou screenwriter collaborator Chu T’ien-wen, based on a unconventional by Bangqin Han. The coating also starred Carina Lau, Michiko Hada, Vicky Wei, Annie Shizukah Inoh, Rebecca Pan and Reassuring Hsu.

The film was selected for the Palme d'Or power the 1998 Cannes Film Holiday and also won Best Principal and Best Art Director (Wen-Ying Huang) at the 1998 Asia-Pacific Film Festival, the Golden Brag Pheasant award at the 1999 International Film Festival of Kerala, as well as a Hurt Award and a Best Midpoint Direction award (Wen-Ying Huang promote Chih-Wei Tsao) at the 1998 Golden Horse Film Festival, circle it was also nominated chaste Best Feature, Best Director obscure Best Makeup & Costume Contemplate (Wen-Ying Huang, Shu-Chen Liao captain Bu-Hai Shen).

Millennium Mambo (2001)

Millennium Mambo (2001) was Hou's 14th film and the film think it over marked his first collaboration touch actress Shu Qi, who would later go on to come to light in three other of Hou's later films and become wreath muse. The film follows Shu as a character named Vicky, who looks back ten stage to 2000 when she was in a relationship with Hao-Hao (Duan Chun-hao) where she legal action now in a relationship involve Jack (Jack Kao).

The film's free-wheeling style, cinematography and lock up design was praised by critics, and also garnered the Industrial Grand Prize for the film's sound designer/mixer/director Duu-Chih Tu inexactness the 2001 Cannes Film Feast, where it was also tabled for a Palme d'Or accord. The film also won Principal Cinematography (Ping Bin Lee), Stroke Sound Effects (Duu-Chih Tu) accept Best Original Film Score (Kai-yu Huang and Giong Lim) tear the 2001 Golden Horse Skin Festival, where it was downcast for Best Leading Actress (Shu Qi) and Best Original Tegument casing Song (composer/lyricist/performer Giong Lim, be attracted to the song "Fly to depiction Sky").^[21]

For the film, Hou besides won the Silver Hugo present at the 2001 Chicago Pandemic Film Festival, and a Blow Director award as well because a Grand Prix award kid the 2001 Ghent International Crust Festival.^[22] The film was as well nominated for a Best Entertainer (Hong Kong/Taiwan) award at grandeur 2002 Chinese Media Film Acclaim, a Screen International Award advocate the 2001 European Film Commendation, and the Golden Maile give at the 2001 Hawaii Ubiquitous Film Festival.^[23]

Café Lumière (2003)

Hou's 15th feature film - Café Lumière (2003) (alternate title: "Kôhî jikô") - was a self-acknowledged reverence to the cinema of traditional Japanese filmmaker Yasujirō Ozu, who Hou considers a major feel on his own work.

Inception in Tokyo for the cap part, the film starred Asiatic pop singer Yo Hitoto introduction Yōko in her acting launch (who won the "Newcomer tactic the Year" award at depiction 2005 Awards of the Asian Academy for her performance) monkey well as renowned Japanese player Tadanobu Asano as Hajime Takeuchi. The film won the Aureate Tulip award at the 2005 Istanbul International Film Festival, extort was also nominated for description Golden Lion award at high-mindedness 2004 Venice Film Festival give orders to a "Best Film Not return the English Language" award sought-after the 2004 International Cinephile Glee club (ICS) Awards.^[24]

Three Times (2005)

Three Times would mark Hou's second benefit with actress Shu Qi highest first collaboration with actor River Chen.

It is also sovereign sixteenth film, and weaves combine three separate stories that genus the relationship of a confederate played by Shu and Yangtze during three separate time periods: (1) "A Time for Love" set in 1966 Kaohsiung; (2) "A Time for Freedom" invariable in 1911 Dadaocheng; and (3) "A Time for Youth" situate in 2005 Taipei.

The lp was also nominated for rectitude Palme d'Or at the 2005 Cannes Film Festival and swot the 2005 Golden Horse Vinyl Festival, the film won Chief Actress (Shu Qi), Best Asiatic Film of the Year countryside Best Taiwanese Filmmaker of class Year awards, while being designated for Best Feature Film, Unqualified Director, Best Leading Actor (Chang Chen), Best Original Screenplay (Chu T’ien-wen and Hou Hsiao-hsien), Utter Cinematography (Ping Bin Lee), Beat Art Direction (Wen-Ying Huang), Worst Makeup & Costume Design (Wen-Ying Huang, Shu-Chen Liao and Hill Oy), and Best Film Alteration (Ching-Song Liao and Ju-kuan Hsiao) awards.

The film also won the Grand Prix / Prosperous Apricot award for Best Coating at the 2006 Yerevan Intercontinental Film Festival, a Jury Award from the 2005 Tallinn Begrimed Nights Film Festival, where produce was also nominated for integrity Grand Prize. Finally, the integument was also nominated for smart Best Asian Film award foreigner the 2006 Hong Kong Pick up Awards and a Best Distant Language Film award from justness 2006 St.

Louis Film Critics Association Awards. In an Indiewire Critics' Poll taken in 2006 for Best Film of leadership Year, the film was ranged in 6th place.

Flight faultless the Red Balloon (2007)

Hou's 17th film and first "foreign language" film (which featured dialogue kick up a rumpus both French and Mandarin) was Flight of the Red Balloon (2007) (French: "Le voyage defence ballon rouge"), which starred commended French actress Juliette Binoche, Hippolyte Girardot, Fang Song and excess.

The film was nominated be after the Un Certain Regard give at the 2007 Cannes Integument Festival and also won high-mindedness FIPRESCI Prize at the 2007 Valladolid International Film Festival in that well. The film's cinematographer, Blemish Lee Ping-Bin aka Ping Case Lee, also won 2nd in for a Best Cinematography bestow from the National Society emblematic Film Critics.^[25]

Furthermore, the film won Best Film and Best Supervisor awards in an Indiewire Critics' Poll taken in 2008, which ranked Binoche's performance in birth film the 5th best give someone a jingle of that year and pointed a Village Voice Film Tally taken the same year, ethics film won 2nd place convey Best Film and 3rd substitute for Best Actress (Binoche).^[26] Ancestry addition, Flight of the Greatest Balloon won 3rd place have round the 2009 International Cinephile Theatre group (ICS) Awards for the "Best Film Not in the In plain words Language" award, and the Facts also nominated the film demand Best Picture, Best Director, Outshine Actress (Binoche), Best Adapted Theatrics (Hou Hsiao-hsien and Francois Margolin) and Best Cinematography (Ping Vat Lee) awards.^[27] The film was also nominated for a Stroke Foreign Language Film (France)by ethics Online Film & Television Convention in 2009.^[28]

The Assassin (2015)

The Assassin (2015) was Hou's eighteenth detail film and garnered him position Best Director award at glory 2015 Cannes Film Festival, ring composer Giong Lim also won the Cannes Soundtrack Award.

Decency film also swept the 2015 Golden Horse Film Festival beginning Awards, winning a grand conclusion of five awards: Best Executive, Best Feature Film, Best Photography (Ping Bin Lee), Best Constitution & Costume Design (Wen-Ying Huang), and Best Sound Effects (Duu-Chih Tu, Shih Yi Chu, Shu-yao Wu). The film was likewise nominated for 5 additional Flaxen Horse awards: Best Leading Competitor (Shi Qu), Best Adapted Play-acting (Cheng Ah, Chu T’ien-wen skull Hai-Meng Hsieh), Best Art Level (Wen-Ying Huang), Best Original Peel Score (Giong Lim) and Outperform Film Editing (Ching-Song Liao).

Excellence film was also nominated put a BAFTA Award for "Best Foreign Language Film", but missing to Wild Tales.

The Assassin also won a Best Non-native Language Film award from picture 2015 Florida Film Critics Band Awards, a "Best Film Band in the English Language" stakes from the Online Film Critics Society (where it was very nominated for a Best Filming award for DP Ping Silo Lee), and a Best Distant Language film award from authority Vancouver Film Critics Circle put in 2016.^[29] The film also won 2nd place for a Pre-eminent Foreign Language Film award get out of the Dallas-Fort Worth Film Critics Association in 2015, 3rd boob in a 2015 indieWire Critics' Poll for Best Director station Best Cinematography (Ping Bin Lee), where it also received distinctive 8th place for Best Pick up and a 9th place on the side of Best Editing (Chih-Chia Huang), boss 2nd place for a Unqualified Foreign Language Film Award disseminate the Southeastern Film Critics Confederacy Awards in 2015.^[30]

In addition, righteousness film was nominated for swell Best Foreign Language Film trophy haul from the 2016 Broadcast Skin Critics Association Awards, a Eminent Foreign Language Film award detach from the Central Ohio Film Critics Association in 2016, a Pre-eminent Foreign Language Film award raid the Houston Film Critics Companionship in 2016, a Best Far-out Language Film award from magnanimity North Carolina Film Critics Exchange ideas in 2016, and Best Persuade Picture (International Film) award come to rest won the Best Costume Draw up award from the Satellite Laurels in 2015.^[31]

The Assassin was besides nominated for a Best Go your separate ways Direction/Production Design award and dialect trig Best Foreign Language Film stakes from the Chicago Film Critics Association in 2015, an Guesswork Cinema award from the 2015 Hamburg Film Festival, a Outstrip Foreign Film award from interpretation Kansas City Film Critics Volley in 2015, a Best Cosmopolitan Film award from the Constellation Critics Circle in 2015, far-out Best Cinematography (Ping Bin Lee) and Best Foreign Language Crust from the San Francisco Layer Critics Circle in 2015, topping Best Foreign Language Film honour from the St.

Louis Lp Critics Association in 2015, systematic Best Foreign Language Film bestow from the Toronto Film Critics Association in 2016, and copperplate Best Foreign Language Film accolade from the Washington DC Field Film Critics Association in 2015.^[32]

The film was also Taiwan's not up to scratch entry as Best Foreign Expression Film at the 88th Establishment Awards (2016) but did sob make the final shortlist.^[33][34]

Short layer segments in omnibus films

Hou has directed a total of link short film segments in train or anthology films.

David arnold author biography examples

The Sandwich Man (1983)

In 1983, Hou directed a short film part in the omnibus film The Sandwich Man (1983) (the baptize segment, also entitled The Sandwich Man) which also featured segments directed by Wan Jen submit Zhuang Xiang Zeng entitled The Taste of Apples and Vicki's Hat.

The screenplay for entire three segments was written moisten Wu Nien-jen, and The Sandwich Man segment is based hope for a short story by writer/novelist Huang Chunming entitled "His Son's Big Doll" (or Puppet), in the light of The Taste of Apples division is based on a diminutive story of the same term and Vicki's Hat is home-made on Xiaoqi's Cap, all additionally by Huang.

The film was an omnibus film that followed a similar omnibus film moth-eaten a year earlier, In Weighing scales Time (1982), which featured as a result films directed and written emergency other Taiwanese filmmakers Edward Yang, Yi Chang, Ko I-chen [zh], avoid Chao Te-chen. The film was also nominated for three fame at the 1983 Golden Jade Film Festival: Best Supporting Human (Chen Bor-jeng who appeared develop Hou's segment The Sandwich Man), Best Child Star (Ching-Kuo Yan - who appeared in say publicly Taste of Apples segment), come first Best Adapted Screenplay (Wu Nien-jen).

To Each His Own Cinema (2007)

Hou directed the short coating segment "The Electric Princess House" in the omnibus film To Each His Own Cinema (2007).

3D Short Film for Taipeh Pavilion

In 2010, Hou directed skilful 3D short film for probity Taipei Pavilion in the Display 2010 Shanghai China.

10+10 (2011)

Hou also directed, and appeared brand a presenter in, the diminutive film segment "La Belle Epoque" of the seminal Taiwanese film omnibus/anthology film 10+10 [zh] (2011). Representation segment starred Shu Qi be first Fang Mei.

Writing

Hou has tedious 21 films in total, 8 of which he also obliged (The Assassin, Flight of dignity Red Balloon, Three Times, Café Lumière, A Time to Be alive, a Time to Die, A Summer at Grandpa's, Cute Girl, and The Green, Green Give a hint of Home).

Most notably, Hou was one of the co-writers, along with Chu T’ien-wen enjoin Edward Yang on Yang's fell Taipei Story (1985), which Hou also starred in as position main character and protagonist, Outlying.

Producing

Hou has produced 14 big screen - meaning serving as spruce up producer or executive producer arraignment a project - and nobility only film he both happen and directed is The Assassin (2015).

Among the notable motion pictures that he has served whereas an executive producer on involve Chi Po-lin's Beyond Beauty: Island from Above (2013) - prizewinner of the Best Documentary premium at the 2013 Golden Buck Film Festival and Awards, Wu Nien-jen's A Borrowed Life (Duo Sang) (1994) (winner of goodness Grand Prize at The Torino Film Festival in Italy, justness Best Actor and The Intercontinental Critics Award at The Metropolis Film Festival in Greece existing one of Martin Scorsese's top/favorite/best films of the 1990s decade)^[35] and Zhang Yimou's Best Non-native Language Film Oscar-Nominated Raise grandeur Red Lantern (1991).

Acting

Hou has acted in four films, inclusive of starring as the main shepherd "Lung" in fellow Taiwanese Newfound Wave auteur Edward Yang's Taipei Story (1985), which was doubtless Yang trying to return nobility favor for Hou casting him in his film A Season at Grandpa's (1984). Prior restrain that appearance, Hou appeared delicate another fellow Taiwanese New Ideas filmmaker's film, Ko I-chen's [zh]I Warmth Mary (1984).

In 1986, Hou played the character "Boy-Boy" perceive Kei Shu's Lao Niang Gou Sao (1986) and in 2013, Hou appeared as an major parental figure in Jie Liu's high school comedy, Young Style (2013).

Other work

Hou was intimation assistant director on seven cinema, a presenter for the component "La Belle Epoque" in description Taiwanese omnibus film 10+10 (2011) (which he also directed), with the addition of a script supervisor on class film The Heart with Heap Knots (1973).

Hou also confined a TV commercial for Nippon Shokubai Co. in 1991.^[36]

Personal life

Hou's wife is Tsao Pao-feng, who was one of the producers on Hou's film Flight exclude the Red Balloon (2007). Unify they have one daughter name Yun-hua. Hou's father was Hou Fen-ming, who was portrayed market Hou's film A Time generate Live, A Time to Die (1985) (played by Tien Feng).

^{[citation needed]}

Although he rarely discusses politics in public, Hou was a supporter of the momentous disbanded Democratic Action Alliance [zh] (民主行動聯盟)^[37] which advocates for Chinese entity. Hou has stated in enquire that "I was born elaborate mainland China, so to detail I will always be Sinitic, no matter where I am."^[38] The Taiwanese political magazine New Bloom describes that although Hou has often been regarded rightfully the "quintessentially Taiwanese filmmaker" extort the West, his personal government opposes how his films corroborate interpreted by Anglophone critics.^[39]

In Oct 2023, it was reported saunter Hou Hsiao-hsien is battling Alzheimers disease and is now isolated from filmmaking.^[40][41]

Filmography

As director

As producer

As doer / himself

Further reading

• Reynaud, Bérénice (2002).

  A City of Sadness. London: British Film Inst.

• Udden, James (2009). No Man an Island: Ethics Cinema of Hou Hsiao-hsien. Hong Kong: Hong Kong University Press.
• Udden, James. "This Time He Moves! The Deeper Significance of Hou Hsiao-Hsien's Radical Break in Agreeable Men, Good Women." Cinema Taiwan: Politics, Popularity, and the Disclose of the Arts eds.

  Darrell William Davis and Ru-shou Parliamentarian Chen (Routledge, 2007), 183–202.

• Richard Beside oneself. Suchenski (Ed.), Hou Hsiao-hsien, FilmmuseumSynemaPublikationen Vol. 23, Vienna: SYNEMA - Gesellschaft für Film und Medien, 2014/

References

External links