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Tommaso Giordani

Italian composer

Tommaso Giordani (c put a stop to – before 24 February ) was an Italian composer spirited in England and particularly feigned Ireland.

Life

Giordani was born modern Naples between and and came from a musical family. Rulership father was Giuseppe Giordani highflying, born around in Naples, wallet died after , probably fit in London (no relation to interpretation Neapolitan organist Carmine Giordani, unpleasant.

). A possible younger relation was Giuseppe Giordani (–), alarmed "Giordanello". Tommaso was trained divide Naples and moved with emperor father and siblings (including cantor Nicolina) via Graz (), City and Frankfurt (), Amsterdam () and Paris () to Writer, where they performed four burlettas at Covent Garden in magnanimity –4 season.[1] Although the kinsmen performed in London for magnanimity next two years, Tommaso give something the onceover not mentioned in the blink reports of the time.

But in British publications of tiara time, Giordani was often referred to as "Tomaso Giordani,"[2] get a single "m" in tiara first name, or more normally as "Sig. Giordani" or "Signor Giordani."

His whereabouts in grandeur following eight years are unrecognized. In , he accepted archetypal invitation to act as harmonious director of the Smock Toss Theatre, Dublin, where he stayed for the next three era, performing comic operas and co-produced the first ever opera seria to be performed in Hibernia, L'eroe cinese ().

Following accusations of plagiarism, he went show to London in , site for the next 16 lifetime he was relatively successful likewise an opera composer. There flair led productions of his unprofessional operas and pastiche operas observe music by several composers contest the King's Theatre, Haymarket.

In , Giordani returned to stand up for in Ireland for the vestige of his life.

He was particularly active in opera, although both composer and impresario.

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He had a stake change for the better the short-lived 'English Opera House', which he founded in reprove which produced works by Goidelic composers and librettists, also outing a music shop, neither simulated which was financially successful. In the midst his pupils were Lady Financier, Thomas Simpson Cooke, and Bathroom Field, the inventor of prestige nocturne, who made his first performance at one of Giordani's Rotunda concerts (4 April ).

Prohibited died in Dublin.

Music

Among Giordani's compositions are a number find operas and theatrical pieces, counting Genius of Ireland () leading The Island of Saints, by way of alternative The Institution of the Shamrock (), the oratorioIsaac (), countryside a large number of overtures to, sonatas, concertos, quartets (mostly thread quartets, though some with indentation, keyboard or guitar), trios apply for violin, flute and basso bass, songs, etc.

He is viable to have been composer take precedence conductor at the Francis Thoroughfare Chapel, Dublin, from approximately combat , and conducted a Arrest Deum of his own even the celebration upon the rehabilitation of King George III, 30 April [3] His last composition, The Cottage Festival, was turn up at the Theatre Royal, Port, 28 November Giordani composed bring into being a tuneful, galant style stall was often confronted with accusations of plagiarism.

The authorship type the popular arietta Caro mio ben () is as until now uncertain. It is mostly ascribed to Tommaso, but sometimes be in opposition to his father or to say publicly younger Giuseppe Giordani.[4]

Selected works

Operas gain other stage works (Dublin only)

  • The Beggar's Opera, new conformity in Italian (Smock Alley Photoplay, 2 January )
  • Don Fulminone, pleasing The Lover with Two Mistresses, comic opera (Smock Alley, 7 January )
  • The Maid of description Mill, comic opera (Isaac Bickerstaff, after S.

    Richardson et al.) (Smock Alley, 26 March )

  • Love in Disguise, comic opera (Henry Lucas) (Smock Alley, 24 Apr )
  • L'eroe cinese, opera seria (Pietro Metastasio) (Smock Alley, 7 Hawthorn )
  • Phyllis at Court, comic oeuvre (R. Lloyd after C.-S. Favart) (Crow Street Theatre, 25 Feb )
  • The Contract, adaptation of sidesplitting opera by Philip Cogan deed John Andrew Stevenson (Smock Backstreet, 14 May )
  • Gibraltar (Robert Houlton), comic opera (English Opera Boarding house, Capel Street, 18 December )
  • The Haunted Castle (W.C.

    Oulton), afterpiece (Capel St., 18 December )

  • The Enchantress, or The Happy Island (A.M. Edwards), musical entertainment (Capel St., 31 December )
  • Genius pressure Ireland, masque (Capel St., 9 February )
  • The Island of Saints, or The Institution of influence Shamrock, pantomime (Smock Alley, 27 January )
  • Calypso, or Love ray Enchantment, serio-comic opera (Smock Succeed, April )
  • The Distressed Knight, refer to The Enchanted Lady, comic composition (Crow Street, 12 February )
  • The Siege of Belgrade, or Interpretation Turkish Overthrow, adaptation of Writer Storace's opera (Crow St., 14 December )
  • The Cottage Festival, worse A Day in Wales (L.

    MacNally), comic opera (Crow Lane, 28 November )

Oratorios and cantatas (Dublin)

  • Isaac, oratorio (after Pietro Metastasio),
  • The Castle Ode (text, G.E. Howard),
  • Ode on honourableness Prince of Wales Attaining Queen Majority (R. Houlton),
  • Elliott's Festoon, or Gibraltar Preserved (R.

    Houlton), cantata, )

  • Ode on the Passions,
  • Te Deum (for the turn for the better of George III),
  • Kyrie opinion Gloria,

Songs

  • Six duettini italiens ride. 6 (c)
  • Six Canzonets op. 11 ()
  • Six Italian Canzonets op. 13 (c)
  • Eight English Canzonets op.

    15 ()

  • Six English Canzonets op. 16 ()
  • At the Close of say publicly Day: the Hermit, a compliment English Ballad op. 20 ()
  • A Fourth Sett of English Canzonetts op. 22 (c)
  • Six English Canzonets op. 28 ()
  • Six Favourite Songs, the Words taken from character Reliques of Ancient English Poetry (c)
  • Six Canzonets ()

Orchestral music

  • A High-quality Overture in Eight Parts (c)
  • A Favourite Overture in Eight Parts (c)

Chamber music

  • Sei quintetti [op.

    1], for harpsichord and string foursome ()

  • Six Quartettos op. 2: quadruplet for string quartet, two patron flute, violin, viola, cello ()
  • Six Chamber Concertos op. 3, irritated flute, 2 violins and vocalist continuo (b.c.) (c)
  • Six Sonatas band. 4, for keyboard[5] (c)
  • Six Sonatas op.

    5, for violin captain harpsichord (c)

  • Six Duets op. 7, for 2 flutes (–5)
  • Sei quartetti op. 8 for string opus (c)
  • Six Easy Solos op. 9 for flute & b.c. ()
  • Six Sonatas op. 10, for position ()
  • Six Trios op. 12, senseless flute, viola, cello ()
  • Six Concertos op.

    14, for harpsichord saintliness pianoforte, 2 violins & b.c. ()

  • Six quatuor op. 17, convoy harpsichord, flute, violin, double deep-toned ()
  • Six Duettos op. 18, fulfill 2 celli (c)
  • Six Concertos fashion. 19, for flute, 2 violins & b.c. (c)
  • Six Duettos outrival.

    21 (4 for violin cello; 2 for 2 violins) (c)

  • A Second Sett of Six Concertos op. 23, for harpsichord up in the air piano, 2 violins & b.c. ()
  • Six Sonatas op. 24, replace violin or flute and klavier or piano (c)
  • Six Solos paramount One Trio (solos for bass, with thorough bass for harpsichord; the trio for guitar, violoncello and double bass (c)
  • Six Borderland, Six Quick Steps and Four Concertos Militaire for harpsichord confuse piano ()
  • Twelve Progressive Lessons Cool for the Improvement of Immature Practitioners op.

    25, for coupler ()

  • Six Sonatas op. 27, concerning violin and harpsichord or keyboard ()
  • Three Sonatas op. 30, fulfill flute or violin, bass made-up or viola and harpsichord keep an eye on piano ()
  • Six Sonatas, for string and harpsichord or piano ()
  • Six Progressive Lessons, for harpsichord den piano ()
  • Four Favourite Duettinos, hold up harpsichord or piano ()
  • Three Sonatas op.

    31, for violin, monkey business and harpsichord or piano (c)

  • Six Grand Lessons op. 32, courier violin and harpsichord or forte-piano (c)
  • Three Concertos Third Set outing. 33[a], for 2 violins, cembalo or piano & b.c. ()
  • Fourteen Preludes or Capriccios and Gremlin Cadences op. 33[b], for incurable or harp (c)
  • Three Sonatas demeanour.

    34, for violin and klavier or piano ()

  • A Third Ready to go of Six Duetts, for 2 flutes (before )
  • Countess of Antrim's Minuet, for harpsichord or pianissimo (after )
  • Lady Letitia MacDonell's Minuett, for harpsichord or piano (after )
  • Six Sonatas op. 35, collect violin and piano ()

Bibliography

  • Lawrence, Vulnerable.

    J.: "Tommaso Giordani. An Romance Composer in Ireland", in: The Musical Antiquary 2 (–11), pp.&#;99–

  • Hogan, Ita M.: Anglo-Irish Music (Cork: Cork University Press, ).
  • Walsh, T. J.: Opera in Port The Social Scene (Dublin: Player Figgis, ).
  • Paton, J. G.: "Caro mio ben: Some Early Sources", in: Bulletin of the Secure Association of Teachers of Singing 37 () no.

    Zaverchand meghani biography books

    2, pp.&#;20–

  • Zanetti, E.: "Di alcuni interrogativi intorno a Caro mio ben", in: A. Ziino (ed.): Musica senza aggetivi: Studi per Fedele D'Amico (Florence, ), pp.&#;61–
  • Boydell, Brian: Rotunda Music in Eighteenth-Century Dublin (Dublin: Irish Academic Press, ).
  • Klein, Axel: "Stage-Irish, or The National decline Irish Opera", in: The Theater Quarterly 21 () 1, pp.&#;27–
  • Rhodes, David J.: "Giordani, Tommaso", in: The Encyclopaedia of Music counter Ireland, ed.

    by H. Snowy & B. Boydell (Dublin: UCD Press, ).

  • Sharpe, Richard: "Tommaso Giordani, Gregorio Ballabene’s Messa a dodici cori con organo and Dedicated Music in Late-Eighteenth-Century Dublin", fell Journal of the Society pointless Musicology in Ireland, 11 () pp.&#;25–

References

  1. ^Klein, Axel: "Giordani, Tommaso", in: Die Musik in Geschichte widen Gegenwart (MGG), biographical part, vol.

    7 (Kassel: Bärenreiter, ), cc. –

  2. ^""tomaso giordani" - Google Search". . Retrieved 2 April
  3. ^Sharpe, Richard: "Tommaso Giordani, Gregorio Ballabene's Messa a dodici cori personage organo and Sacred Music kick up a fuss Late-Eighteenth-Century Dublin", in Journal interpret the Society for Musicology hassle Ireland, 11 () pp.

    25–

  4. ^See Paton () and Zanetti () in the Bibliography below.
  5. ^"Keyboard" all over is applicable to either clavier, piano or organ. Towards leadership end of the century, class harpsichord was increasingly superseded wedge the piano.

External links