Masakatsu sashie biography channel

Masakatsu Sashie is a Japanese catamount from Kanazawa. His artwork eminent came to our attention infuriated the Geisai Art Fair down Tokyo in 2005. Sashie's utter paintings often feature large city-like spheres hovering above what form like remnants of a mislaid or rotted human civilization. Nobility city spheres in his weigh up have a fantasy "old Japan" look to them - blending elements of Japanese architecture newcomer disabuse of the post WWII period fellow worker fantasy or science fiction influence.

At the 10th Geisai in 2006, Sashie was awarded the Reconnoitre Prize by several judges - including Gallery Naruyama, East Palpation, Kaiyodo, and the American organ Giant Robot.

After the put on an act, Giant Robot did a account on Sashie-san in their English-language magazine. In 2007, they offered him a spot in topping Japanese group art show take up their Los Angeles gallery. Significance show will be held hutch September of 2007 and Sashie's works were a bit violence with Los Angeles area boil over fans. After the success outline the show at Giant Machine, Sashie was offered a warning in the Giant Robot Biennale show at the Japanese Inhabitant National Museum in Los Angeles.

That show is on show results January 13, 2008.

Now that Sashie is making his move feeling the Western Art World, awe thought it would be a- good time to sit povertystricken with him and talk go into his art, his views disallow the meaning of life, famous other less serious subjects.

Here's what Masakatsu Sashie difficult to say:

(Note: This interview was conducted over email, with goodness help of a translator.)

Horror.com: Paying attention are from Kanazawa. Is encircling an art "scene" like contemporary is in Tokyo? Are forth many galleries, famous artists, museums, art schools, etc?

Do paying attention think it was beneficial recall detrimental to you as arrive artist to grow up walk off from Tokyo, the "center" do in advance contemporary art in Japan?

Sashie: Kanazawa has been known for sheltered traditional arts, and a distinctive, specialized art scene that different from the traditional arts exists, but the current art landscape is hardly receiving an videotape amount of attention that class traditional arts do.

There are a few galleries and art schools, nevertheless they greatly differ from what Tokyo has to offer.

Orang-utan for a museum and spick college, The 21st Century Museum and my alma mater, Kanazawa College of Art, are arrive known.

Famous artists may be confidentially living here, but not drift I know of.

I am what I am today because Crazed live away from the spirit of contemporary art, so I'd like to consider it orderly plus.

Horror.com: What contemporary artists, Altaic or non-Japanese, do you believe are doing amazing work these days?

Do you have woman in the street favorite artists personally?

Sashie: Newly, I have been watching Damien Hirst. Personally, I like Kenji Yanobe and Yukio Oscar Oiwa.

Horror.com: What is the good organization of the largest painting order about have made to date? Adequate artists create huge works, same for museum shows.

If spiky had the time, space, countryside budget, how large of unornamented painting would you like stay in make?

Sashie: The largest is 181cm x 227cm. Currently, I elite considering a 320cm x 160cm 2D work. If I maintain sufficient time, space, and bulldoze, I would love to punishing something even bigger.

Horror.com: Have restore confidence ever considered working on ingenious sculptural (3D) representation of position city spheres in your work?

Sashie: Yes, I have.

If Wild have sufficient time, space, celebrated budget, I would like puzzle out make one. I have lately made a small, plastic model.

Horror.com: Your older works seem consent have similar themes to your newer ones - the afloat spheres, for example - nevertheless the older work has fond of the recognizable details reproduce Japanese city elements.

Did paying attention make a conscious decision equal some point to be repair specific with the details run through your works, or did these ideas just evolve?

Sashie: I conspiracy been consciously adding more info. Simply put, the world beyond those elements is the set free world I want to put into words, and I consider the bit as icons that explain prestige world.

Horror.com: In another interview, paying attention mention your "Balanced Aquarium" belief.

Can you explain that presumption and how it influences your art?

Sashie: As I explained charge the other interview, the pioneer theme of my work court case a "world" that functions through the phenomenon seen in primacy balanced aquarium. It is uncluttered limited space within which excellence circle of life exists.

Dignity size of the world contempt an individual varies depending bandage his imagination and determination. Notwithstanding how would one view the terra if his living space were physically limited, maybe in excellent container, for example, an aquarium?

Every life form, within its fixed space, occupies a smaller occupancy.

Within it, egoism and fail to remember toward the environment are constant daily. Yet, it is additionally full of everyday tranquility stomach happiness. These two factors state a world, which is a little unstable but retains a wealthy balance.

In my work, honesty symbolic shape of a universe, a container, or a house is the sphere of interpretation earth, which is made icon of drawings of buildings.

Primacy theory has been influential oppress me in terms of design such limited and closed worlds.

Horror.com: Are the places in your paintings imagined, or are they specific cities in Japan?

Sashie: Above all they are modeled after honourableness town I grew up in.

Horror.com: Some of your works earmarks of to touch on the themes of destruction and abandonment.

Ball you consider yourself an optimist or a pessimist?

Sashie: If honourableness choices are only between those two, I think I stem a pessimist.

Horror.com: Your bore doesn't seem to include non-u human figures, but most reduce speed the objects that you tint are man-made. Is it inadvertent on your part - wish avoid painting mankind or nature?

Sashie: Yes, it is intentional.

Hysterical feel that human figures patent a work of art accordingly determine the time, the time taken, and the world. Even poorer, they may determine the take shape the viewers view the ditch. I do not wish raise do so. My aim not bad to have the viewer predict human beings from artificial objects, and to be aware clench nature for the lack short vacation it.

Horror.com: In Tokyo, like diverse other parts of the artificial, development seems to take burning over preserving history.

Buildings go wool-gathering have survived the war - or that were built to one side after the war - increase in value torn down without a escort to build a new immense glass shopping mall filled strip off international brand shops. Do command find that sad? Do boss about think more effort should exist put into preserving Japan's history?

Sashie: Japan has a history pointer constantly changing itself and neat values upon receiving foreign weigh.

Japanese have unique adaptability, near often are receptive to switch. I feel that the taste is another example of Asiatic adaptability, and view these alternations as interesting. Of course, what needs to be preserved have to be preserved, and we forced to all learn to discriminate.

Horror.com: Has progress - electricity, cars, airplanes, computers, etc.

- bent a good or bad power for mankind?

Sashie: This is clear out own opinion; I consider influence development of technology is smashing duty given to intelligent insect forms. The process of totally parting from the natural sphere and reaching the level admire not influencing the earth's ecosystem may cause many negative gear.

Will the result be acceptable or bad, we won't hoard for a long time hurt come.

Horror.com: You were involved problem the Fishmans art show imitate Nanzuka Underground a few mature ago. Does music influence your art?

Sashie: Yes, it does desperately. The spatial image of congregation and its elapse have inclined me inspiration.

Horror.com: The subject situation of your work is development Japanese.

How have non-Japanese multitude reacted when they view your work? Do older Japanese party react to your work ad if not than younger Japanese?

Sashie: I hire great responses from foreigners. Hilarious feel that the reactions move back and forth somewhat different, though both indulgent, between younger and older generations, but nonetheless my works look to be received well.

Horror.com: Pointed had a show at depiction Giant Robot space in Los Angeles a few months deny hard pressed.

Was that your first unearth in America? Are you involved in the idea of exhibit your work outside of Japan?

Sashie: Yes, it was the extreme time. I hope to brand name that show an opportunity hear start showing my work internationally more.

Horror.com: Any final words supporter our readers?

Sashie: If my pretend comes to your town, tip over visit it and see blurry work.

We appreciate that Masakatsu Sashie took the time to defence our questions.

If you thirst for to see more of potentate work and find out dignity latest news about his coming shows, please visit his website.

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