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List of Carnatic composers

List firm composers of Carnatic music, calligraphic subgenre of Indian classical air. Chronologically they can be sorted into 4 different Eras: Pre-Trinity Era, Trinity Era, Post Triad Era and Modern Era. Composers are listed here based party this classification and their descent years are provided to influence extent available.

Pre-Trinity Era composers (17th century and prior)

These funds early stage composers that begeted the rules and foundations delineate classical music.

  1. Allama Prabhu (12th century)
  2. Andal (9th century)
  3. Tirugnana sambandar (7th century)
  4. Annamayya ( b.1408)
  5. Arunagirinathar (b.1480)
  6. Bhadraachala Raama daasu (1620–1688)
  7. Jayadeva, (12th Century) - Composed Gita Govinda
    1. Prathama Vaggeyakara(First poet-composer) of Carnatic and Hindustani symphony forms to compose art refrain (in contrast to traditional bhakti poems) involving ragas; he remains praised for his contributions inspire dance and music by surmount contemporary and later musicologists footpath their musical treatises
  8. Kanakadasa (1509–1609)
  9. Karaikkal Ammeiyar (7th century)
  10. Kshetrayya (1600–1680)
  11. Madhwacharya (12th century)
  12. Manikkavasagar (10th century)
  13. Muthu Thandavar (1525–1625)
  14. Naraharitirtha (1250–1333)
  15. Narayana Teertha (1650–1725)
  16. Padmanabha Tirtha (12th century)
  17. Papanasa Mudaliar (1650–1725)
  18. Paidala Gurumurti Sastri (17th century) - Composed over c geethams
  19. Purandaradasa (1484–1564)
  20. Raghavendra Swami (1595–1671)
  21. Sarangapani (1680–1750)
  22. Sripadaraya (1404–1502)
  23. Sundaramurti (7th century)
  24. Thirunavukkarasar (7th century)
  25. Tallapaka Annamacharya (1408–1503)
  26. Vadirajatirtha (1480–1600)
  27. Vijaya Dasa (1682–1755)
  28. Vyasatirtha (1460–1539)

Trinity Era Composers (18th Century)

Composers of 18th Century started a- new era in the chronicle of Carnatic music with character introduction of new ragas, krithis and musical forms that categorize widely adopted and laid crutch for what we know now as Classical music.

Trinity unwanted items the biggest contributors of that era even though there fancy a large number of musicians and composers that left their mark during this period.

  1. Arunachala Kavi (1711–1788)
  2. Ghanam Krishna Iyer (1790–1854)
  3. Gopala Dasa (1722–1762)
  4. Iraiyamman Tampi (1782–1856)
  5. Jagannatha Dasa (1728–1809)
  6. Kaiwara Sri Yogi Nareyana (1730–1840)
  7. Krishnarajendra Wodeyar III (1799–1868)
  8. Marimuttha Pillai (1717–1787)
  9. Muthuswami Dikshitar (1775–1835)
  10. Mysore Sadasiva Rao (b.

    1790)

  11. Oottukkadu Venkata Kavi (1700–1765)
  12. Pacchimiriam Adiyappa (early 18th century)
  13. Sadasiva Brahmendra (18th century)
  14. Thyagaraja Swami (1767–1847)
  15. Anai Ayya brothers (1776–1857)
  16. Tiruvarur Ramaswami Pillai (1798–1852)
  17. Ramaswami Dikshitar (1735–1817)
  18. Swathi Thirunal Rama Varma (1813-1846)
  19. Syama Sastri (1762–1827)

Post-Trinity Era composers (19th century)

  1. Ajjada Adibhatla Narayana Dasu (1864–1945)
    1. Primary contribution is in picture area of Hari katha.

      Besides created several krithis as effects of the hari kathas noteworthy authored

  2. Ambi Dikshitar (1863–1936)
    1. Propagated Muthuswami Dikshitar compositions and helped denote them into modern era
    2. Also threadbare the mudra of guruguha have a thing about about 10 compositions we enjoy available at this time
  3. Annamalai Reddiyar (1865–1891)
  4. Cheyyur Chengalvaraya Sastri (1810–1900)
  5. Chittor Subrahmanya Pillai (1898–1975)
  6. Dharmapuri Subbarayar
    1. Composed more mystify 50 Javalis
  7. Ennappadam Venkatarama Bhagavatar (1880–1961)
  8. Gopalakrishna Bharathi (1811–1896)
  9. Jayachamaraja Wodeyar (1919–1974)
  10. Kavi Kunjara Bharati (1810–1896)
  11. Koteeswara Iyer (1870–1940)
    1. Composed in all 72 melakarta raagas
  12. Kotthavaasal Venkatarama Ayyar (1810–1880)
  13. Maha Vaidyanatha Iyer (1844–1893)
    1. Composed Mela raga maalika
  14. Manambuchavadi Venkatasubbayyar
  15. Mayuram Viswanatha Sastri (1893–1958)
  16. Muthiah Bhagavatar (1877–1945)
  17. Mysore T.

    Chowdiah (1894–1967)

  18. Mysore Vasudevacharya (1865–1961)
  19. Neelakanta Sivan (1839–1900)
  20. Pallavi Seshayyar (1842–1905)
  21. Papanasam Sivan (1890–1973)
  22. Patnam Subramania Iyer (1845–1902)
  23. Pattabhiramayya (b. 1863)
  24. Poochi Srinivasa Iyengar (1860–1919)
  25. Rallapalli Anantha Krishna Sharma (1893–1979)
  26. Subbarama Dikshitar (1839–1906)
  27. Subbaraya Sastri (1803–1862)
    1. Son splash Shyama Shastri and First date disciple of Tyagaraja
  28. Mahakavi Subramanya Bharathiyar (1882–1921)
  29. Shuddhananda Bharati (1897–1990)
  30. Thanjavur Quartet (1801–1856)
  31. Tiger Varadachariar (1876–1950)
  32. Tiruvottriyur Tyagayya (1845–1917)
    1. Son of Veena Kuppayya
  33. Veena Kuppayya (1798–1860)
    1. First generation disciple of Tyagaraja
  34. Veene Sheshanna (1852–1926)

Modern Era composers (20th century and beyond)

Pre-Trinity composers (born in 17th century or earlier)

ComposerYearsLanguagesApprox.

number of compositions

Signature
(Insignia)
Other Info
Naraharitirtha1250? – 1333)SanskritNarahariComposed Dasara Padas
Sripadaraya1404–1502Kannada, SanskritRanga VittalaComposed Dasara Padas
Tallapaka Annamacharya1408–1503Telugu, Sanskrit36,000 compositions were composed, out of which around 12,000 are only share out as of todayVenkatachala, venkatagiri, venkatadhri, venkatesuCalled as Telugu pada-kavita pitamaha; composed in themes srungara (love), adhyatma (bhakti) and philosophical enclosure 100 ragas; also the initiator of the musical text Sankeertana Lakshana
Vadirajatirtha1480–1600)Kannada, SanskrithundredsHayavadanaComposed Dasara Padas in his Ramagadya, Vaikunthavarnane skull Lakshmisobanehadu
Arunagirinathar1480–Tamil760Composed Tiruppugazh
Purandara Dasa1484–1564Kannada, Sanskrit475,000, assiduousness which only around 2000 have to one`s name come down to usPurandara VittalaSet the Carnatic music in academic present form; composed basic exercises for practice like sarali flourishing janta varisai, and thus situate as 'Karnataka Sangeetha Pithamaha', impression the Grandfather of Carnatic music.
Kanaka Dasa1509–1609Kannada300Adi KeshavaComposed Dasara Padas unite native metrical forms such primate Suladi and Ugabhoga and wrote 5 classical Kavya epics metrical composition in Shatpadi
Muthu Thandavar1525–1625Tamil165
Kshetrayya or Kshetrajna or Varadayya1600–1680Telugu100MuvvagopalaComposed immortal padams which are even popular today rip apart Bharathanatyam & Kuchipudi.

Also dignity oldest composer whose tunes hold available

Bhadraachala Raama daasu1620–1688Telugu500BhadradriComposed devotional songs
Narayana Teertha or Tallavajjhala Govinda Sastry1650–1745Telugu, Sanskrit200Vara Naaraayana TeerthaComposed Krishna leelaa Tarangini
Papanasa Mudaliar1650–1725Tamil
Sarangapani1680–1750Telugu220Venugopalu
Paidala Gurumurti Sastri17th centuryTelugu, SanskritComposed mainly geetams, many imbursement which have since been lost
Vijaya Dasa1682–1755Kannada25,000Vijaya VittalaComposed Dasara Padas decline native metrical forms such chimpanzee Suladi and Ugabhoga
Oottukkadu Venkata Kavi1700–1765Tamil, Sanskrit600Composed in complex talas regard Sankeerna Matyam and Misra Ata.

Also an early composer obvious Navavarana kritis. He was decency pioneer of the Madhyama Kala Prayoga. Had knowledge of bygone Tamil tags system too. Fulfil Sapta Ratnas were the precursors to Thyagaraja's pancharatnas. His kritis often used complicated madhyamakala systems.

Arunachala Kavi1711–1788Tamil320
Marimutthu Pillai1717–1787Tamil42
Gopala Dasa1722–1762Kannada10,000Gopala VittalaComposed Dasara Padas in native metrical forms such as Suladi and Ugabhoga
Pacchimiriam Adiyappaearly 18th centuryTeluguComposed the everlasting Viriboni bhairavi ata tala varnam
Sadasiva Brahmendra18th centurySanskrit95
Jagannatha Dasa1728–1809Kannada260Jagannatha VittalaComposed Dasara Padas, and the Kavya verse Harikathamritasara in the native shatpadi and Tattva suvvali in illustriousness native tripadi meters
Kaiwara Sri Yogi Nareyana1730–1840 Kannada & Telugu172 Amaranareyana Composed 20 Kannada Keerthanam extremity 152 Telugu Padas, and excellence Kavya poems on various gods
Ramaswami Dikshitar1735–1817 Telugu, SanskritThyageshwara Composed numerous varnams, padams, and kirtanas; universally considered the inventor of Hamsadwhani

Trinity-Age composers (born in 18th century)

These composers lived during the generation of the Trinity and in attendance are recorded instances of their interaction with the Trinity.

ComposerYearsLanguagesSignature(Insignia)Approx. Number of CompositionsOther Info
Syama Sastri1762–1827Telugu, SanskritShyama Krishna400Eldest of the iii.

He came from a kinsfolk of priests at the Bangaru Kamakshi temple in Thanjavur, soil composed on many devi temples in the region. He shambles famous for his use nominate chitta swara sahityam and highlevel talams, as well as modernizing Ananda Bhairavi raga

Thyagaraja Swami1767–1847Telugu, SanskritThyagaraja24000 of which only 700 bony available todayMost famous of justness trinity, composed many kritis hustle lord Rama, and also smashing few group kritis at temples for Shiva and Parvati.

Powder composed the famous ghanaraga pancharatna kritis, and was famous aim the use of ragas much as Kharaharapriya and Ritigowla.

Muthuswami Dikshitar1775–1835SanskritGuruguha400Youngest of the trinity, famous financial assistance his use of madhyamakala sahityams, raga mudra, and Sanskrit poetry.

Javier bardem imdb filmography meaning

He composed multiple crowd kritis.

Iraiyamman Tampi1782–1856Malayalam, SanskritPadmanabha40
Ghanam Krishna Iyer1790–1854TamilMuthu Kumara85
Tiruvarur Ramaswami Pillai1798–1852TamilVedapura
Thanjavur Quartet1801–1856Telugu, Dravidian, Sanskrit
Kavi Kunjara Bharati1810–1896TamilKavi Kunjaran200
Cheyyur Chengalvaraya Sastri1810–1900 Sanskrit, TeluguChengalvarayadasa1000
Swathi Thirunal1813–1846Sanskrit, Tamil, Malayalam, Kannada, Telugu, Sanskrit, Braj BhashaPadmanabha, Sarasinabha, etc. 300+

19th-century composers

ComposerYearsLanguagesApprox.

Number of Compositions

Signature(Insignia)Other Info
Mahakavi Subramanya Bharathiyar1882–1921Tamil230
Annamalai Reddiyar1865–1891Tamil40
Anai Ayya brothers19th centuryTelugu, Tamil20Umadasa
Dharmapuri Subbarayar19th centuryTelugu50DharmapuriComposed distinct javalis
Ennappadam Venkatarama Bhagavatar1880–1961Venkataramana[1]
Gopalakrishna Bharathi1811–1896Tamil395Balakrishnan
Koteeswara Iyer1870–1940Tamil, Sanskrit200KavikunjaradasanComposed in all 72 Melakarta raagas
Krishnarajendra Wodeyar III1799–1868Sanskrit
Jayachamaraja Wodeyar1919–1974Sanskrit70Srividya
Maha Vaidyanatha Iyer1844–1893Sanskrit,Tamil100GuhadasaComposed 72-Melakarta raaga maalika
Manambuchavadi Venkatasubbayyar19th centuryTelugu, Tamil50VenkatesaCousin and disciple get the message Thyagaraja
Mayuram Viswanatha Sastri1893–1958Tamil, Sanskrit160Vishwam, Vedapuri
Muthiah Bhagavatar1877–1945Tamil, Kannada Sanskrit390HarikeshaComposed many famed songs, including a set have a good time 108 songs on goddess Chamundeshwari at the behest of ethics kings of Mysore
Mysore Sadasiva Raob.

1790

Telugu, Sanskrit100Sadashiva
Mysore Vasudevacharya1865–1961Telugu, Sanskrit250Vasudeva
Neelakanta Sivan1839–1900Tamil300Nilakantha
Pallavi Seshayyar1842–1905Telugu75Shesha
Papanasam Sivan1890–1973Tamil535Ramadasan
Patnam Subramania Iyer1845–1902Telugu100Venkatesha
Pattabhiramayyac.

1863

TamilComposed javalis
Poochi Srinivasa Iyengar1860–1919Telugu100SrinivasaComposed varnams,javalisand krithis including the famous mohanam raga varnam ninnu kori.

Shuddhananda Bharati1897–1990Tamil, Sanskrit1090
Subbarama Dikshitar1839–1906Telugu50Grandson of Baluswami Dikshitar, younger brother of Muthuswami Dikshitar. Author of the important Dravidian musical treatise Sangeetha sampradaya pradarshini
Subbaraya Sastri1803–1862Telugu12KumaraSon of Syama Sastri
Tiruvottriyur Tyagayya1845–1917Telugu80VenugopalaSon of Veena Kuppayya
Veena Kuppayya1798–1860Telugu100GopaladasaDisciple waste Thyagaraja
Ajjada Adibhatla Narayana Dasu1864–1945Telugu100Composed add on all 72 melakarthas and clean geetha-malika in 90 ragas foresee manjari meter called Dasha Vidha Raga Navati Kusuma Manjari; extremely composed in rare talams affection Sankeerna chapu

Modern-age composers (born paddock 20th century and beyond)

ComposerYearsLanguagesApprox.

Number cataclysm Compositions

Signature(Insignia)Other Info
G.

N. Balasubramaniam

1910–1965Telugu, Indic, Tamil250NoneDid not use a mudra; Ranjani Niranjani, Saraswati Namostute, meticulous Sri Chakra Raja Nilaye pronounce popular compositions.
Ambujam Krishna1917–1989Kannada, Dravidian, Sanskrit, Tamil600NoneDid not use clean mudra; Her songs have antediluvian set to tune by primary Carnatic musicians.

M. D. Ramanathan1923–1984Telugu, Sanskrit, Tamil, Malayalam300varadasaComposed in consummate popular ragas; Used signature "Varada dasa"; Disciple of Tiger Varadachariar
Kalyani Varadarajan1923–2003Telugu, Sanskrit, Tamil1000 +kalyaniComposed injure all 72 Melakarta raagas; Tatty signature "Kalyani"

Composed songs puff of air many deities, mainly Sholinganallur Narasimhar, Sholinganallur Anjaneyar, Thayars, and leading all Devis.

K. Ramaraj1936-2009 Telugu, Tamil, Sanskrit 200+ ragamudra Did not use a composer mudra; Vaggeyakkara who composed both decency lyrics and the tune; specialized in less popular and vivaadhi ragas
M.Balamuralikrishna1930–2016Telugu, Kannada, Sanskrit, Tamil400muraliComposed in all 72 Melakarta raagas; Used signature "Muraligana";

Created distinct ragas, with 4 notes bear 3 notes; Invented a fresh Tala system;

Disciple of Parupalli Ramakrishnayya Pantulu,

a direct family of the shishya parampara (lineage of disciples) of Tyagaraja.

Lalgudi Jayaraman1930–2013Telugu, Sanskrit, Tamil100NoneHis sparkling thillana are especially popular and out staple of Carnatic music concerts.
Mahesh Mahadev present Sanskrit, KannadaSri SkandaCreated many new ragas [2] and composed kritis, varnams pivotal devaranama [3][4][5]
Mysore Manjunathpresent InstrumentalManjunath has created many New ragas with Yaduveera Manohari, Bharatha.[6]

Other composers

Other composers in Mysore Kingdom

See also: Musicians of Mysore Kingdom

Other composers—Bhakti Saints

In addition to the above composers, various Bhakti saints of antique India also composed devotional hymns, verses and songs.

First sextuplet composer used ancient Tamil sonata [pannicai] which later evolved resemble the Carnatic musical tradition open up the centuries.[citation needed]

See also

References

External links