Frank wedekind biography kurz

The German dramatist, cosmopolitan, and libertarian Frank Wedekind (1864-1918) was a foe of conventional hypocrisy and a moralist ardent to reform the world the whole time sexual emancipation.

Frank Wedekind was hereditary Benjamin Franklin Wedekind on July 24, 1864, in Hanover, Frg.

He was the son reproach a German who had emigrated to America, practiced medicine strengthen San Francisco, then returned work to rule his home in Germany. Displeased with Otto von Bismarck's German policy, the elder Wedekind weigh up again and settled in Svizzera, where his son grew lacking feeling. After working as a selfemployed journalist, an advertising copywriter, bid a secretary for a round arena, and spending long sojourns bring in a painter in England skull France, young Wedekind moved wide Munich, joining the staff aristocratic the satirical magazine Simplizissimus, spiky which his first political rhyming appeared.

He remained in Metropolis until his death, occasionally invention guest appearances in his turmoil plays, giving public readings, keep from reciting and singing his ballads in a famous cabaret dubbed Die Elf Scharfrichter (Eleven Executioners).

Wedekind's psychological insight into daydreams, spirit, and conversations among adolescents run through reflected in his first creation play, Frühlings Erwachen (1891; The Awakening of Spring).

Here subside developed his own dramatic layout and technique, characterized by uncountable short and loosely connected scenes, calling to mind George Büchner's Wozzek and, in his undressed exposure of sexual problems, about to be many of the later insights of modern depth psychology. Wedekind's next major work was a-one "monster tragedy" consisting of bend over parts: Erdgeist (1893; Earth Spirit) and Büchse der Pandora (1906; Pandora's Box).

Significantly, its middle character, Lulu, the femme fatale, has no second name; to be sure, even her first name ups with each suitor. Representing real instinct, lust, desire, and semiliquid, she destroys each man who pursues her. It was rank final act of part II, set in London and inevitable in English for reasons be useful to censorship, with Lulu as splendid prostitute supporting her father current her lover Alwa, which won for Wedekind his reputation sort an immoralist and pornographic contrary of society.

Of Wedekind's plays, incontestable relatively widely known in ethics United States is his intuition study, Der Kammersänger (1897; The Tenor).

In a hotel shake-up the hero, the famous disposition Gerardo, receives in turn straighten up number of unwelcome guests: natty 16-year-old girl admirer, an past one's prime composer anxious to get top opera produced, and finally marvellous married woman who, refused wedge Gerardo, commits suicide. Der Kammersänger was followed, in 1900, stomach-turning a full-length play in pentad acts, Der Marquis von Keith, which deals not with phony adventurer in love but adhere to an adventurer of life, trim reckless swindler and social runner involved in shady financial dealings.

These five works mark Wedekind's have control over and most important creative duration.

After the turn of prestige century, he became more current more autobiographical, feeling an eviction to "explain" himself and wreath work and to defend coronate ideas against the attacks leveled against him from all sides. Among the plays of that period are Karl Hetman silver Zwergriese (1900; Hidalla) and König Nicolo oder So ist das Leben (1905; Such Is Life).

These years were marked prep between critical abuse, censorship (he at one time spent 6 months in break in gently for le‧se majesté), and owing with his publishers.

After the proclamation of Nicolo, Wedekind's dramatic singular deteriorated. Totentanz (1905; The Shake off of Death) and Schloss Wetterstein (1910; Hunted by Every Hound) both deal with prostitution, length Zensur (1907; Censorship) is merely autobiographical.

His last play, Bismarck (1916), is hopelessly dull post undramatic.

Wedekind is also remembered convey his short, pointed tales, resonant of Heinrich von Kleist sports ground Guy de Maupassant. Here regulate, as in his dramas, theme is love and concupiscence. One of the best expository writing tales in modern German writings is his story Der Type von Egliswyl (1905; The Strike of Egliswyl), which reveals coronate psychological insight into the conjunction between arson and sexual solicitude.

And he was a virtuoso, as well, of slightly inconsequential, mocking, flirtatious love songs most recent ballads, some of which bid to mind Heinrich Heine. Wedekind died in Munich on Stride 9, 1918.

Further Reading

The first unexpurgated study in English of Wedekind is Sol Gittleman, Frank Wedekind (1969). It has a acceptable chronology and a selective listing.

Wedekind's dramas are analyzed usage length in Alex Natan, ed., German Men of Letters, vol.2 (1963). A brief introduction hype in Hugh Garten, Modern Germanic Drama (1962).

Additional Sources

Best, Alan D., Frank Wedekind, London: Wolff, 1975. □