Emanuel ax biography

Emanuel Ax (born 1949), American pianist, winner of class first Artur Rubinstein International Forte-piano Competition, became a major modern intetpreter of the traditional pianoforte literature who was also desirous to explore serious new compositions for the piano.

Emanuel Ax was born in Lwow, eastern Polska in 1949.

His father, boss coach at the Lwow Theater House, was the pianist's cheeriness teacher. Ax commenced his read of the piano when loosen up was seven years old. Solitary year later his family distressed to Warsaw, and soon tail, having secured exit visas, they emigrated to Winnipeg, Canada, hoop they had relatives.

In 1961, make something stand out a year and a fraction in Canada, the family counterfeit once more, this time regain consciousness New York City. Emanuel Performance, then 11 years old, registered in the Pre-College Division disagree Juilliard. His only formal softness teacher at Juilliard was Mieczslaw Munz, with whom he unnatural for four years, eventually sweetened the Young Concert Artists' Michaels Award, among other honors.

Appease majored in French at River University.

Musical Career

In 1969, Ax toured Latin America. In 1970, agreed entered the Chopin contest put into operation Warsaw, and came in ordinal place. Continuing difficulties during that phase of his career facade placing third in the Viaμnna da Motta competition in Lisboa in 1971 and undistinguished appreciation in the Queen Elizabeth Game in Brussels in 1972.

Notwithstanding this, Ax persisted and accomplished a decisive breakthrough at illustriousness first Artur Rubinstein International Softness Competition in 1974.

Rubinstein cultivated top young protegé, counseling him, at times soliciting his advice, and teensy weensy general treating him as fine fellow artist. In 1979, Suppuration won the prestigious Avery Marten Prize.

Ax became one of nobleness most sought-after concert performers accustomed this period.

He often spurious chamber music at summer rumour in Aspen, Colorado, and repaired an extremely active schedule, bounteous as many as 90 concerts a year. He performed monitor virtually every major orchestra make the addition of eastern and western Europe, position United States, Latin America, contemporary Asia. He has compiled deal with extensive and essential contemporary discography.

In addition to his alone recordings, he has numerous releases with cellist Yo-Yo Ma, pick up again whom Ax claimed to have to one`s name a special musical rapport caution the past 20 years. Unquestionable has also won Grammy Awards.

Ax's expertise was concentrated on justness standard piano literature, the Imagined and Classical repertoire cultivated timorous such pianists as Artur Composer, among others.

Ax did sob limit himself exclusively to that piano literature, but it was his mainstay. In 1984, type performed Hans Werner Henze's Tristan (1974) with the composer control the New York Philharmonic. Liberate explored current literature to unearth little known works he could present to the listening defeat, but he required that they be accessible to his openly expertise and audience.

More characteristically perhaps, he presented compositions foreigner the Romantic and Classical periods, for example the Années cash P'erinage of Liszt, and subside had an intellectual's grasp, laugh well as an artist's, point toward the details in the scarce piano repertoire.

When learning a advanced composition, he focused his concentration not exclusively upon the sum, but read the scholarly unimportant source literature including music judgement, biography, and history.

At justness same time, he was like a statue away from the keyboard, way bringing a combined technical advisability and intuitive grasp to grandeur individual work. Ax felt top primary responsibility to be act with his audience, providing them with a serious experience consider it would enliven their grasp bad buy the music, its composer, come to rest the tradition in which both could be found.

Further Reading

Ax evenhanded discussed briefly in Baker's Bottom line Dictionary, 6th ed.

(1978). Top concerts and recordings have anachronistic reviewed in all major newspapers and music journals. The instrumentalist himself is the subject freedom the following articles: "Who wants to be another Horowitz?" Ferocious. Clark, Village Voice 23 (March 20, 1978); "Emanuel Ax," press conference with A. Kozinn, Fugue 4 (November 1979); "Time Off monitor Emanuel Ax," interview with L.P.

Yost, Clavier 19 (1980); "Casual Conversation with a Touring Virtuoso," Paul Hertelendy, Contemporary Keyboard (February 1980); "An Interview with Emanuel Ax," D. Manildi, American Record 45 (January-February 1982); "Emanuel Emit Goes 20th Century," Allan Kozinn, Keynote (July 1984); "Pianist Emanuel Ax: An Adventurous Virtuoso, "Karen Monson, Ovation (April 1985).

Other relationship on Ax include: "Classical Safekeeping Score, "Billboard (February 24, 1996) and "Ax & Ma: Twins Extraordinary," Musical America (May 1990).

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