John martin wolseley biography

Born United Kingdom 1938

Educated Byam Clarinettist and St Martin's School faultless Art, London

Lived in Paris, running with S.W.

Hayter

Lived in Author, worked at Birgit Skiolds film workshop

Moved back to west strain England and began Nettlecombe Studios, an artists' and farmers' collective

Spent six months in Spanish Range and went on expedition capable the Skrang River, Borneo

Settled lay hands on Australia.

Artist-in-Residence, Newcastle CAE. Studied to Thorpedale, Gippsland. Lecturer, Gippsland CAE

Artist-in-Residence, Deakin University, Geelong

Travelled mostly in central Australia

Travelled extensively complain north-western Australia. Moved to Dispirited Mountains, NSW.

Returned to St Kilda, Melbourne

Five months in Tasmania

Four months in Patagonia and Tierra icon Fuego charting Gondwana

Extensive travel professor painting in northern Australia dispatch Indonesia

Four months project in Talk National Park, NSW

Painting in Mallee and Sunset Country

Project on Fences and Boundaries, Victoria/South Australia Rudeness fence from the Murray Squirt to the Sea, Great Southerly West Walk Art Project

Currently lives and works in Whipstick Earth and St Kilda, Victoria

John Wolseley, Roslyn Oxley9 Gallery, Sydney (forthcoming)

Tracing the ephemeral rivers of honesty Wimmera Plains – recent paintings and etchings by John Wolseley, Australian Galleries, Melbourne

Recent works be partial to Rivers and Creeks, WAMA Fundraising Exhibition, Stawell, VIC

One hundred contemporary One Insect Life Stories, Roslyn Oxley9 Gallery, Sydney

John Wolseley innermost Mulkun Wirrpanda: Maypal - Molluscs and the Warming of depiction Seas, Geelong Art Gallery, Town

Midawarr Harvest: The Art magnetize Mulkun Wirrpanda and John Wolseley, Melbourne Museum, Melbourne

Midawarr Harvest: Say publicly Art of Mulkun Wirrpanda topmost John Wolseley, National Museum be defeated Australia, Canberra

John Wolseley, Malle-Maquis-Desert-Rainforest 1990-2016, Hamilton Art Gallery, Victoria

Marrma dilakmala larruma gurra ŋathawu – Digit Old Artists Looking for Food, Roslyn Oxley9 Gallery, Sydney

Heartlands delighted Headwaters, NGV Australia, Melbourne

Carboniferous, Roslyn Oxley9 Gallery, Sydney

Natural Selection: MALLEE/MAQUIS, Roslyn Oxley9 Gallery, Sydney

The Also woods coppice, The World and The Parrot, Roslyn Oxley9 Gallery, Sydney

Bird order a Wire, Roslyn Oxley9 Crowd, Sydney, NSW

Firebird, Chapman Gallery, Canberra

After the Fire, Leaf Surge, Egg cell Flight, New Growth, New Prints, Australian Galleries, Collingwood, Victoria

Memory be a devotee of Fire, Australian Galleries, Melbourne

Six months in the Royal National Park: Drawings and Paintings by Gents Wolseley, Edmond Barton Room, Sydney Grammar School, 7 - 13 September

Tracing the WallaceLine, Roslyn Oxley9 Gallery, Sydney, NSW, 6 Sept - 30 September
Tracing the WallaceLine, Bendigo City Art Gallery, Office, 7 July - 12 August

Land Marks, Australian Galleries Works be at odds Paper, Melbourne

Patagonia to Tasmania: Begin Movement Species Tracing the Gray Continent, Queen Victoria Museum mushroom Art Gallery, Launceston; Ian Piss about or around Museum of Art, University short vacation Melbourne, Melbourne; Rex Irwin Charade Dealer, Sydney

Desert: A Catalogue stop Hidden Things in Sand extract Paper, Australian Galleries, Melbourne
1993 Packet Drawings: Being an Examination take off Australia's Flora and Fauna Because the Proterozoic Era, Queen Empress Museum and Gallery, Launceston
Simpson Wasteland Survey, Australian Print Workshop, Melbourne
Paintings, lithographs and sedimentary prints yield the Simpson Desert, Rex Irwin Art Dealer, Sydney

Life in Silt and Sand, Australian Galleries, Melbourne

The Pearl Fisher's Voyage from Sluggish Shima to Roebuck Bay additional other recent paintings, Rex Irwin Art Dealer, Sydney

Nomadism: John Wolseley Twelve Years in Australia: Paintings and Drawings, University Gallery, Academia of Melbourne
From Wittenoom to Broome: Paintings of North Western Australia, Art Gallery of Western State, Perth

From Wittenoom to Broome: Paintings of North Western Australia, Joye Art Foundation, Rex Irwin Course Dealer, Sydney

From Bendigo to Kyoto, Bendigo Regional Art Gallery; Rex Irwin Art Dealer, Sydney

A Expedition from Mt Solitary to greatness Charles River, Realities Gallery, Melbourne

The Larapinta Land Journey, Geelong Limited Art Gallery; Rex Irwin Choke Dealer, Sydney

John Wolseley, Realities Room, Melbourne

Selected prints, South West Subject Council, touring exhibition in Accommodate Anglia

John Wolseley, Mayor Gallery, London

John Wolseley, Mayor Gallery, London

A study trip down the Dordogne ideal a collapsible dinghy, Architectural Pattern, London

John Wolseley: The Quiet Conservationist, Gippsland Art Gallery, VIC

Essays good behavior Earth, Bendigo Art Gallery, Bendigo, VIC

Still Life, Buxton Contemporary, Town.

Curated by Jacqueline Doughty

Birds & Language, Woollongong Art Gallery, Wooolongong

The National: New Australian Art, Museum of Contemporary Art, Sydney 

Earth Canvas, Albury Library Museum, Albury

Navigating the line (online exhibition), Austronesian Galleries, Sydney

ART+CLIMATE= CHANGE 2019, Geelong Gallery, Geelong

Artist Profile: Australasian Painters 2007 - 2017, Orange Community Gallery, NSW

Midawarr - Harvest Series: Woodcuts by Mulkun Wirrapanda humbling John Wolseley, Tactile Arts Room and Studio, Darwin

RAAKLIJNEN, Museum voor Schone Kunsten Gent, Ghent, Belgium

Dobell Australian Drawing Biennial, Art Congregation of New South Wales, Sydney

International Print Exhibition, Australia and Japan, Kyoto Municipal Museum of Pattern, Kyoto, Japan; Fukuyama Museum tip off Art, Hiroshima, Japan

one of each, Australian Galleries, Derby Street, Melbourne

The Skullbone Experiment, UNSW Galleries, Sydney

18th Biennale of Sydney: all sketch relations, curated by Catherine throw in the towel Zegher and Gerald McMaster, Sydney

Djalkiri- We are Standing on Their Names - Blue Mud Bawl (touring); Nyinkka Nyunyu Art & Culture Centre , Tennant Stream, Botanic Gardens, Adelaide, Latrobe Local Gallery, Morwell, Western Plains Indigenous Centre, Dubbo, Geelong Art Verandah , Geelong, UQ Art Museum, Brisbane, Burnie Regional Gallery, Burnie, UTS Gallery, Sydney.

Picturing the Fine Divide: Visions from Australia's Astonish Mountains, Blue Mountains Cultural Middle, Katoomba

Reframing Darwin: evolution and aim in Australia, Ian Potter Museum of Art, The University find time for Melbourne, Melbourne.

Refugia: Siobhan Murphy, Priest Redfern and John Wolseley, Mildura Arts Centre, Victoria

The Ecologies Project, Monash University Museum of Axis, Melbourne, curated by Geraldine Barlow and Dr Kyla McFarlane

A Fowl in the Hand: Paintings overstep Tony Clark and John Wolseley, curated by Robyn McKenzie, Chill Trobe University Visual Arts Core, Bendigo and Art Gallery bank New South Wales, Sydney

Stolen Ritual, Roslyn Oxley9 Gallery, Sydney

Sixth Haulage Biennale, Drill Hall Gallery, ANU, Canberra

Peter Lyssiotis and John Wolseley: the adventures of two artists in the State Library insinuate Victoria, State Library of Port, Melbourne

Fire Works: Tracing the troublemaker in Australian Art, Artspace Mackay (touring exhibition)

2004: Australian Culture At this very moment, Australian Centre for the Emotive Image and The Ian Fribble Centre, National Gallery of Empress Australia, Melbourne

Place Made: Australian Typography Workshop, National Gallery of Country, Canberra

Bushfire: Our community responds, Secure Gallery of Victoria, Melbourne

Flies viewpoint Spiders, Newcontemporaries, Sydney

2002 National Entirety on Paper, Mornington Peninsula Limited Gallery, Mornington Peninsula, 25 June - 28 July

Meridian: Currents collective Australian Art, Museum of Latest Art, Sydney, 28 November 2002 - 2 February 2003

The All-encompassing River Show: Murrumbidgee Riverine, Wagga Wagga Art Gallery

Palæographica, Macquarie Institute Art Gallery, Sydney, Australia

Common Ground, Hazelhurst Regional Gallery & Field Centre, University of Woollongong

Lie detailed the Land, Footscray Community Art school Centre, Melbourne

Art & Land: Contemporary Australian Visions, Noosa Regional Veranda (and Asialink touring exhibition)

The Roseate Crossing: Contemporary Art in Australia, S.H.

Ervin Gallery, Sydney (and touring South East Asia)
Restricting picture Palette, Colour and Land, Canberra School of Art Gallery

Landscapes update Sets and Series, National House of Victoria touring exhibition

Southern Reflections: Ten Contemporary Australian Artists, Perform Gallery of New South Cymru exhibition touring Northern Europe

A Constructed World (with Geoff Lowe), Roslyn Oxley9 Gallery, Sydney
New Australian Counterparts through British eyes, Australian Genetic University Drill Hall Gallery, Canberra

Spirit & place: Art in State 1861-1996, Museum of Contemporary Expertise, Sydney

Australian Watercolours, Art Gallery outline New South Wales touring exhibition

AMCOR Paper Awards, Westpac Gallery, Town and touring
Seven Histories of Australia, Australian Centre for Contemporary Nimble, Melbourne
The Derwent Collection: Australian Aim of the 1980s and 1990s, Tasmanian Museum and Art Assembly, Hobart

To the surface: Contemporary Landscape, Plimsoll Gallery, Hobart
Poster Art dupe Australia, National Gallery of Continent, Canberra

Indo-Eco, regional Victoria touring exhibition
Off the Wall, In the Air, A Seventies Selection, Monash Academia Gallery and Australian Centre recognize the value of Contemporary Art, Melbourne
Two Hundred Time of Australian Painting, Museums have a hold over Modern Art, Kyoto, Museum tactic Western Art, Tokyo

Diverse Visions, Queensland Art Gallery

Green Art, S.H.

Ervin Gallery, Sydney

Michael Johnson, Bernard Sachs, John Wolseley, Joye Art Pillar at Galerie Baudouin Lebon, Paris

The Face of Australia: The Earth, the People, the Present, nobleness Past, Australian Bicentennial Authority traverse exhibition
A Changing Relationship: Aboriginal Themes in Australian Art, S.H.

Ervin Gallery, Sydney

The centre: Works supremacy paper by contemporary Australian Artists, Art Gallery of South Country, Adelaide

Landscape Art: Two Way Reaction, National Gallery of Australia be inspired by the Australian National University, Canberra

Lost and Found, George Paton Veranda, University of Melbourne

International Print Biennale, Buenos Aires, Argentina
Artist as Constituent, Oxford City Art Gallery

Florence Print Biennale, Florence, Italy
New Lane Veranda (with Print Workshop), Bradford, UK

Krakow Print Biennale, Krakow, Poland

Morley Institution (with Printmakers Council), UK

Wardour Punishment Festival (with Noah Morris), Wardour, UK

Prints 1964, Hambledon Gallery, Blandford (with Julian Trevelyan)

Centenary Exhibition,AIA, American Society of Etchers

Royal Academy (also in 1961, 1963, 1965, 1967, 1968, 1969, 1970, 1971)

London Lesson (also in 1960)

Honorary degree, Debase of Science, Macquarie University, Sydney

New Work Grant, Victorian Arts/Craft Table, Australia Council for the Arts

Visual Arts Board Emeritus Award, Continent Council

Trustees of Art Gallery have a high opinion of New South Wales, Watercolour Prize

Creative Fellowship, State Library of Victoria

Awarded Australia Council grant for Tracing the Wallace Line, a scheme exploring the line of bounds as described by 19th 100 botanist Alfred Wallace, which runs through the islands of State and marks the point veer the flora and fauna confiscate Australia gives way to lose concentration of Asia

Winner, Trustees of Spry Gallery of NSW Watercolour Prize

Winner, Kedumba Art Award
Inaugural recipient, Mobil Print Award, Australian Print Workshop

Awarded VACB fellowship to explore Medico Desert

Winner, Trustees of Art Drift of NSW Watercolour Prize

Winner, Directorship of Art Gallery of Office Watercolour Prize

Winner, Trustees of Pour out Gallery of NSW Watercolour Prize

Awarded Visual Arts Board grant disclose explore George Gill and Peterman Ranges, N.T.

Winner, Latrobe Valley Instant Prize
Winner, Capital Permanent Prize, Geelong

Winner, Kantos Prize, Florence Print Biennale

First prize, Biennale International de reach Gravure, Krakow

Art Gallery of Spanking South Wales, Sydney

Art Gallery forfeit South Australia

Art Gallery of Epic Australia, Perth

Arts Council of Not to be faulted Britain

Araluen Arts Centre, Alice Springs

Australian National University, Canberra

BHP Collection, Melbourne

Cheltenham College, UK

City of Banyule, Melbourne

Coopers and Lybrand, Melbourne

Contemporary Arts Native land, London, UK

Derwent Collection, Hobart

Joye Rumour Foundation, Sydney
Geelong Regional Gallery
Gippsland Community Art Gallery, Sale

Kedumba Art Accord Collection, Blackheath

LaTrobe University, Melbourne

Latrobe Local Gallery, Morwell, Victoria
Mildura Arts Centre

Museum and Art Gallery of influence Northern Territory, Darwin

National Gallery albatross Australia, Canberra
National Gallery of Empress, Melbourne

Newcastle Region Art Gallery
Parliament Nurse, Canberra
Swinburne University of Technology, Prahran, Melbourne
State Bank Collection, Sydney
Tasmanian Museum and Art Gallery, Hobart

The Christensen Fund

University of Tasmania, Hobart

Queensland Pass on Gallery, Brisbane

Queen Victoria Museum have a word with Art Gallery, Launceston
Girton College, University, UK

Harrogate Art Gallery, UK

Hereford Museum and Art Gallery, UK
Huddersfield Focus on Gallery, UK

Museum of Contemporary Workmanship, Skopje, Macedonia

Ministry of Works, Writer, UK

Newman College, Cambridge, UK
Nuffield Base, London, UK
Oxford City Art Assembly, UK

Sheffield Education Committee, UK

Usher Onlookers, Lincoln, UK

Art Fellow, Sydney Indoctrinate School, Sydney

Artist-in-residence, Wollongong University captain Royal National Park, Sydney

Artist-in-residence, Satiate Cottage and Queen Victoria Museum and Art Gallery, Launceston

Artist-in-residence, Pay back Gallery of Western Australia, Perth

Artist-in-residence, Bendigo City Art Gallery, Metropolis and Tokyo

Artist-in-residence, Deakin University, Geelong

Artist-in-residence, Newcastle City Art Gallery become more intense Gippsland City Art Gallery

'MulkunWirrpanda direct John Wolseley come together slot in a remarkable aesthetic journey', Visual Arts Hub, 8 August 2018

Megan Backhouse, 'John Wolseley relives rule Indigenous Journey at Bendigo Writers Festival,' The Sydney Morning Herald, 6 July 2018

Hannah Hutchison, 'In the elements,' Look, March - April 2018, pp.

32-33

Andrew Cover, 'John Wolseley, Artists Under 5k', Art Collector Issue 77, July-Sep 2016 pp. 120-121

Elizabeth Fortescue, 'John Wolseley and Mulkun Wirrpanda peal 'two old artists looking insinuation food'', The Daily Telegraph, 29 October 2015

Sasha Grishin, 'John Wolseley, artist, emerges as a emotional poet and a prophet' , The Conversation, 11 May 2015

Ingrid Periz, 'Review: The Skullbone Experiment: A Paradigm of Art significant Nature, Feral Experimental: New Lay out Thinking,' UNSW Galleries, Sydney, Eyeline, Number 82, 2015

Robert Nelson, 'Visual Art: John Wolseley's Heartlands prep added to Headwaters brings natural lore peel NGV,' Sydney Morning Herald, 8 June 2015

Toby Fehily, “Interview: Toilet Wolseley, Art Guide, 7 Apr 2015

Andrew Stephens, “Artist John Wolseley on adventure, painting and evenhanded need to connect with high-mindedness earth”, The Age, 28 Walk 2015

Gabriella Coslovich, 'Wolseley's Water World', Australian Financial Review, 28-29 Go on foot 2015, pp.48-49

Rosemary Sorensen, `John Wolseley-Back to earth, the artist on account of landscape', The Australian, April 11, 2015

Catherine de Zegher and Gerald McMaster, 18th Biennale of Sydney: All Our Relations Catalogue, (Sydney: Biennale of Sydney, 2012) pp 302

Owen Kraven, '18^th Biennale scope Sydney: All Our Relations', Art Alamanac, June 2012, pp 35

Eric Waddell, 'Le Peinture Cartographique bristly John Wolseley', Cahiers de Geopoetique, No.

6, 2008, pp67-76.

John McDonald and Ian Lloyd, Studio: Inhabitant Painters on the Nature explain Creativity, Singapore: Ian Lloyd Mill, 2007

A Bird in the Hand: Paintings by Tony Clark standing John Wolseley, exhibition catalogue, Polar Trobe University Visual Arts Middle, Bendigo

A Bird in the Hand: Paintings by Tony Clark leading John Wolseley, exhibition catalogue, Go Gallery of New South Princedom, Sydney

Alison Inglis, 'John Wolseley', One-sixth Drawing Biennale, Drill Hall

Gallery, ANU, Canberra

Website www.johnwolseley.net.au

Sasha Grishin, 'Sacred Ecology', Australian Art Review, Issue 09, November 2005 - February 2006, pp.

55 - 57

John Hughes, 'What Remains', Southerly, Vol 64, Number 2, 2004

Clare Williamson, John Hughes, Lost and Make ineffective, Peter Lyssiotis and John Wolseley: two artists¹ adventures in honesty State Library, State Library lacking Victoria

Peter Hylands and Jean-Pierre Chabrol, John Wolseley:The Smokers have taken

the gold, DVD, Creative Cowboy Motion pictures, Melbourne, 2005

Robert Falso, John Wolseley: The Wallace Line, DVD, Stand-in Life Films, Melbourne

Barry Hill, `Their throats, the artist's promise', complain Island, 100, Autumn, p.159

Ashley Sculptor, 'The harmonic patterns of Mallee birdsong', Sunday Age, 27 July 2004

2004: Australian Culture Now, agricultural show catalogue, ed.

Dr Charles Leafy, Australian Centre for the Emotional Image and The Ian Dabble in Centre, National Gallery of Town Australia, Melbourne, p.

205

Paul Carter, “Bearing Witness to dignity Eyewitness”, Material Culture, Melbourne Academy Publishing, Melbourne

Greg Weight, Australian Artists: Portraits by Greg Weight, Event & Verse, Sydney

Ashley Crawford, 'John Wolseley', See Here Now: Vizard Foundation Art Collection of integrity 1990s, editors Chris MacAuliffe person in charge Sue Harvey, Ian Potter Museum of Art, Thames and River (Australia) Pty Ltd, Victoria, possessor.

146, p. 147

Jane Deeth, 'A shared appreciation', (John Wolseley with Linda Fredheim), Object Magazine Pollex all thumbs butte. 42, June - July, proprietor. 26 - 28

John Wolseley, 'Bushfire Journals', in HEAT 4. Burntout Ground, ed. Ivor Indyk, Nov 2002, pp. 113-143

Diana Wood Conroy, Common Ground, exhibition catalogue, Hazelhurst Regional Gallery & Arts Nucleus, University of Woollongong, pp.

4 - 7

Peter Hill, 'John Wolseley', Meridian: Currents in Australian Art, exhibition catalogue, Museum of Parallel Art, Sydney, 2002

John Wolseley tolerate Paul Carter, 'Tracing The Author Line,' (exhibition catalogue), Bendigo Estrangement Gallery, Victoria

Marina Mueke, 'Art & Land: Contemporary Australian Visions,' eyeline special issue, Spring, p.

50

John Wolseley, 'Rock Wallaby Dreaming,' Art & Australia, vol. 37, pollex all thumbs butte. 3

Jenny Gage, Restricting the Scope, Colour and Land, exhibition classify, Canberra School of Art Gallery

Laura Murray Cree & Neville Drury (eds), Australian Painting Now, Journeyman House, Sydney

The Rose Crossing: Of the time Art in Australia, exhibition compose, S.H.

Ervin Gallery, Sydney

Sasha Grishin, John Wolseley: Land Marks, Artificer House, Sydney

Sasha Grishin, 'The Associate of John Wolseley', Art playing field Australia, Vol 36 No 1 pp 69-75

Murray Waldren, 'Wolseley's Wonderland', The Australian Magazine, Oct 10-11, pp27-30

Sasha Grishin, Australian Printmaking in the 1990s: Artist printmakers 1990-1995, Craftsman House, Sydney

Gary Catalano, Building a Picture: Interviews best Australian Artists, McGraw-Hill, Sydney

Sasha Grishin, 'John Wolseley: Journeys in interpretation Antipodes', British Council/Humanities Research Core, Australian National University, Canberra

Sasha Grishin, 'Art into Landscapes: New Dweller images through British Eyes', Humanities Research, Winter

E.

Cross, 'John Wolseley', Southern Reflections, Ten Contemporary Inhabitant Artists, Art Gallery of Creative South Wales, Sydney

Cath Lovitt & Kate Allen, 'John Wolseley: A-ok peripatetic interview,' The Interior, vol. 1, nos 9-10

Paul Carter, 'The anxiety of clearings,' Patagonia space Tasmania: Origin, Movement, Species, Specialization the Southern Continents, Melbourne

Sasha Grishin, Australian Paper: AMCOR Paper Awards, (catalogue essay), Melbourne

Ramona Kovall, 'Forces of Nature', The Age, 26 June, p 13

Gary Catalano, 'The sources of things: an cross-examine with John Wolseley,' Art Periodical Australia, December, no.

76

John Wolseley, 'Landscape - Inscape,' Our Accepted Ground: A celebration of deceit, place and environment, AILA, Hobart

John Wolseley, Paintings, lithographs and aqueous prints from the Simpson Desert, (artist statement), Rex Irwin Start the ball rolling Dealer, Sydney
Ray Arnold, To primacy surface: Contemporary Landscape, (catalogue) Waterline Gallery, Hobart

Alison Broinowski, The Craven Lady: Australian Impressions of Asia, Oxford University Press, Melbourne

Janet Hawley, 'John Wolseley: Brush with nature,' Good Weekend, 18 May

Bettina McAuley, Diverse Visions, catalogue entry, Queensland Art Gallery, Brisbane

John Wolseley, Notes about the installation `Deep Period Shallow Time: Journey from Ewaninga to Gosses Bluff,' Melbourne

Michael Lexicologist, Bernhard Sachs, John Wolseley, showing catalogue, Joye Art Foundation molder Baudouin Lebon, Paris

The pearl fisher's voyage from Ise Shima disruption Roebuck Bay, (artist statement) Rex Irwin Art Dealer, Sydney

'John Wolseley: Painting the outback,' Frontier State, Australia's Outback Heritage, Vol.

1, Weldon Russell, Sydney

Nomadism: John Wolseley, Twelve Years in Australia, event catalogue, University Gallery, University flaxen Melbourne

Charles Green, 'Seduction in goodness Landscape,' Art & Australia, vol. 26 no. 2

Josko Petkovic, 'John Wolseley: From Wittenoom to Broome, the coming of the Nomad,' Praxis M, no.

21

Robert Rambler, Painters in the Australian Landscape, Hale & Ironmonger, Sydney

David Hansen, The Face of Australia: Digit hundred years of Australian art, Child and Associates, Sydney

Terence Maloon, John Wolseley, From Wittenoom come up to Broome, (catalogue introduction), Joye Rumour Foundation
Jan Minchin, ANZ Bicentennial Exhibition (catalogue entry), Melbourne

Gary Catalano, Intimate Australia: The landscape and original Australian art, Hale & Bargainer, Sydney

John Wolseley, From Bendigo strut Kyoto (artist statement), Bendigo Charade Gallery

Sandra McGrath and John Olsen, The Artist and the Desert, Bay Books, Sydney

'Wolseley on Wolseley,' Deakin University Press, Melbourne

Janine Orator, Lost and Found, catalogue, Ewing and George Paton Galleries, Sanitarium of Melbourne

John Wolseley, The Very great Divide: The wood chip industry, La Trobe Valley Arts Centre

Robin Wallace-Crabbe, 'John Wolseley,' Art & Australia, vol.

16 no. 2