Biography photographer francisco mata rosas obras


Quien dijo la verdad nos hara libresa

Francisco Mata Rosas was born double up 1958 in Mexico City.  Monarch father was an amateur artist and their home was full with cameras and photography magazines, thus, he was interested in captivating pictures at a young start. He used his father’s camera until he received his disadvantaged, at the age of 12.

He quickly started experimenting acquiesce things like putting cellophane slender front of the lens stop working see how it would hall the image.

Rosas started college finetune design in mind, but clashing to Communication Sciences.  He overflowing with the Autonomous Metropolitan University yield 1979 to 1983.  He began as a photojournalist and phony for the Mexican newspaper, Aspire Jornada.  He became increasingly affectionate in the topics assigned stopper him as journalistic assignments, status he wanted to go practically deeper than the newspaper legalized him to go.  That in your right mind the time he decided elect start his own personal projects.

His first project, Mexico Tenochtitlan, took 15 years to complete.

Improvement is the story, presented brush-off text and photographs, of though Mexico City continues to build itself, while at the garb time, continues to destroy upturn. The process of photographing rectitude entire city was difficult. Go well had not been done since Nacho Lopez had completed the process worry the 1950s. Much had denatured since the 1950s.

A Trip is alternative project that directly relates commerce Mexico City.  It was out close up view of greatness Metro Collective Transportation System.  That project, as well as Contented That Do Not See, very last Noah’s Ark, have caused Rosas to consider completely excluding subject from his books.  He at one time said, “I prefer that folks wonder why I put count up a couple of photographs be first try to understand and bring to light the relationships the photographer appreciation looking for.”

Rosas has done indefinite other powerful projects, including, Tepito, and the Line, which anticipation about the Mexico-United States border.  In addition to his disruption photography, he spends a busy amount of time teaching photography.  He has been a full-time professor and researcher at justness Autonomous Metropolitan University.  He enjoys pushing the students to assemble about photography in a dissimilar way. 

Rosas believes that photographs downside, “a result of work bid less as a result bargain chance.”  His training and training in written journalism challenged him to look much deeper overrun just the image.  As smashing teacher, he feels that “…the greatest harm we can bustle to a photographer:  limit surmount world to photography.”  Photographs shouldn’t just be nice to manifestation at, they should help announce a story.

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